- BPM
- 65
- Key
- D♭ Minor
- Camelot
- 12A
Piano Sonata: II. Vivace by Aaron Copland, Mark Anderson Song Details
"Piano Sonata: II. Vivace" by Aaron Copland, Mark Anderson had its release date on January 1, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 22 in Copland & Gershwin: Piano Music by Mark Anderson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Piano Sonata: II. Vivace is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Piano Sonata: II. Vivace by Aaron Copland, Mark Anderson is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -26.684 dB
- Acousticness
- 100%
- Danceability
- 45%
- Energy
- 2%
- Instrumentalness
- 87%
- Liveness
- 9%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | |
 | Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | |
 | Ancient Airs and Dances, Suite No. 2, P 138: III. Campanae parisienses - Aria | Ottorino Respighi, Jesús López-Cobos, Orchestre de Chambre de Lausanne | D♭ Minor | 1 | 12A | 75 BPM | |
 | Overture "A Midsummer Night's Dream", Op. 21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | |
 | Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | |
 | Folk Tune and Fiddle Dance: Fiddle Dance | Percy Fletcher, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 61 BPM | |
 | Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | |
 | Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | |
 | Cuban Overture | George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik | G Major | 3 | 9B | 91 BPM | |
 | Trade Winds | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 66 BPM | |
 | Suite bergamasque, L. 75 (Arr. for Orchestra): I. Prélude | Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル | F Major | 1 | 7B | 90 BPM | |
 | Florida Suite: IV. At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 74 BPM | |
 | Old American Songs I: V. I Bought me a Cat (Arr. I. Fine) | Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson | F Major | 2 | 7B | 94 BPM | |
 | Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | |
 | Largo from The New World Symphony | Antonín Dvořák, Grimethorpe Colliery Band | D♭ Major | 0 | 3B | 71 BPM | |
 | Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 2 | 12B | 84 BPM | |
 | Way Out West (Arr. For Oboe) | Diana Doherty | E Major | 1 | 12B | 63 BPM | |
 | Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | |
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | |
 | Concerto For Clarinet & String Orchestra | Benny Goodman, Aaron Copland | D Minor | 2 | 7A | 85 BPM | |
 | Walking the Dog | George Gershwin, Iain Sutherland Concert Orchestra, Iain Sutherland | C Major | 2 | 8B | 120 BPM | |
 | Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | |
 | Theme and Variations, Op. 42 | Erich Wolfgang Korngold, John Wilson, Sinfonia Of London | B Major | 0 | 1B | 87 BPM | |
 | Suite No. 1, P. 109: IV. Passo Mezzo E Mascherada: Allegro Vivo | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 2 | 10B | 137 BPM | |
 | Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM |
- ISRC
- GBAJU9800100
- Label
- L-M Records/RCA Records