"Vengeance" by Ruth Barrett had its release date on January 27, 2023. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Vengeance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Terminal List (Music from the Original Series on Prime Video)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Vengeance's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vengeance by Ruth Barrett having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Greatest Love | Taran Mitchell | B Major | 4 | 1B | 147 BPM | ||
| Sanditon Theme | Ruth Barrett | D Major | 6 | 10B | 128 BPM | ||
| Harry Potter and the Deathly Hallows: Obliviate | Alexandre Desplat, Orchestre de Paris | G Major | 2 | 9B | 93 BPM | ||
| The Gravel Road - Score | James Newton Howard | G Minor | 1 | 6A | 86 BPM | ||
| I Will Come for You | David Hirschfelder | F Major | 3 | 7B | 89 BPM | ||
| Burning Down Dungatar | David Hirschfelder | G Major | 2 | 9B | 180 BPM | ||
| Hope for the Future | Joseph Trapanese, The Budapest Art Orchestra | F Major | 0 | 7B | 68 BPM | ||
| Venus | Edmund Percival Montfort | C Major | 8 | 8B | 105 BPM | ||
| Eshkeri: Flying Vessel | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 4 | 9B | 83 BPM | ||
| Quid Sum Miser | Nigel Crouch, Ruth Barrett | A Minor | 2 | 8A | 132 BPM | ||
| It is My Great Hope | Steven Price | G Major | 3 | 9B | 79 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| Bravo My Girl | Anne Nikitin | D♭ Major | 3 | 3B | 85 BPM | ||
| The Skies Do Not Fall | B.S.O. Varios | E Minor | 3 | 9A | 83 BPM | ||
| Spancill Hill | Edmund Butt | B♭ Major | 2 | 6B | 89 BPM | ||
| Ossessione | Paolo Buonvino | D♭ Major | 3 | 3B | 85 BPM | ||
| Chase Walking Nantucket | Roque Baños | D Minor | 6 | 7A | 120 BPM | ||
| Credits | Anne Nikitin | D♭ Major | 3 | 3B | 85 BPM | ||
| The Vision Of The Future | Paolo Buonvino | E Minor | 0 | 9A | 110 BPM | ||
| An All Too Common Malady | Steven Price | G Major | 1 | 9B | 71 BPM | ||
| A Women of Independence | Ruth Barrett, Jon Wygens, David Schweitzer | A Minor | 1 | 8A | 180 BPM | ||
| Dark Fading Waves | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | D Major | 0 | 10B | 77 BPM | ||
| Birdwatching | Ruth Barrett, Jon Wygens | D♭ Minor | 2 | 12A | 144 BPM | ||
| Médecin et les genoux | Stephen Warbeck | C Minor | 0 | 5A | 132 BPM | ||
| Lord M | Martin Phipps | E♭ Minor | 1 | 2A | 70 BPM |