M. ラヴェル, 木越洋(チェロ), 鈴木慎崇(ピアノ)'s 'マ・メール・ロワ【編曲: M. フィッシュ】: III. パゴダの女王レドロネット' had a release date set for February 25, 2025. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ベートーヴェン:ソナタ第5番「春」、M. ラヴェル:マ・メール・ロワ, so we believe that "マ・メール・ロワ【編曲: M. フィッシュ】: III. パゴダの女王レドロネット" is a single. Based on our statistics, マ・メール・ロワ【編曲: M. フィッシュ】: III. パゴダの女王レドロネット's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of マ・メール・ロワ【編曲: M. フィッシュ】: III. パゴダの女王レドロネット by M. ラヴェル, 木越洋(チェロ), 鈴木慎崇(ピアノ) is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| Dominica in Ramis Palmarum: O Domine Jesu Christe (Arr. Solo Piano by Del Corral) | Tomás Luis de Victoria, Manuel del Corral | F♯ Major | 1 | 2B | 90 BPM | ||
| ソナチネ: III. Animé | M. ラヴェル, 浜口奈々(ピアノ) | E Major | 1 | 12B | 93 BPM | ||
| Dvořák: Suite, Op. 98, B. 184 "American": IV. Andante | Antonín Dvořák, Georges Pludermacher | B Minor | 0 | 10A | 71 BPM | ||
| Études: No. 38 in A Minor | Hélène de Montgeroult, Pierpaola Porqueddu | F♯ Major | 1 | 2B | 90 BPM | ||
| The Well-Tempered Clavier, Book 1: Prelude No. 5 in D major, BWV 850 (Arr. Sam Post) | Ralitza Patcheva | B Minor | 3 | 10A | 75 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: IV. Vivo | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | E Minor | 1 | 9A | 109 BPM | ||
| 7 Morceaux de salon, Op. 10: No. 6, Romance | Sergei Rachmaninoff, Boris Giltburg | F♯ Major | 1 | 2B | 90 BPM | ||
| 12 Pieces, Op. 40, TH 138: No. 6, Chant sans paroles (Arr. for Piano by Peter Breiner) | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| Mendelssohn: Songs Without Words, Book VI, Op. 67: No. 5, Moderato, MWV U184 | Felix Mendelssohn, Daniel Adni | B Minor | 0 | 10A | 71 BPM | ||
| Violin Concerto No.7 in D Minor: I. Allegro (Arr. Solo Piano by Del Corral) | Antonio Vivaldi, Manuel del Corral | F♯ Major | 1 | 2B | 90 BPM | ||
| La Gleim, W. 117/19: Rondeau | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Minor | 0 | 8A | 91 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| Holberg Suite, Op. 40: IV. Air. Andante religioso | Edvard Grieg, Aristo Sham | G Major | 2 | 9B | 148 BPM | ||
| Preludio for Piano | Camillo Togni, Aldo Orvieto | E♭ Major | 0 | 5B | 73 BPM | ||
| Album Für Die Jugend, Op. 68 No. 16 Erster Verlust | Robert Schumann, Anna Miernik | G Minor | 1 | 6A | 91 BPM | ||
| Piano Sonata Op. 27 No.1 in E Flat Major – Sonata quasi una Fantasia , Adagio con espressione – Attacca | Lorenzo Luiselli, Beethoven | D Minor | 2 | 7A | 92 BPM | ||
| Preludes, Op.31 (2003 - Remaster): No.13 (Cantique des cantiques) | Charles-Valentin Alkan, Ronald Smith | B♭ Minor | 0 | 3A | 88 BPM | ||
| Les saisons (The Seasons), Op. 37b: X. October: Autumn Song | Ilya Rachkovsky | E Major | 1 | 12B | 131 BPM | ||
| Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Largo | Georg Philipp Telemann, Kolner Kammerorchester, Helmut Müller-Brühl | E Major | 0 | 12B | 95 BPM | ||
| ヴァイオリンとチェロのためのソナタ Ⅲ.Lent | M. ラヴェル, 大宮臨太郎(ヴァイオリン), 藤村俊介(チェロ) | F Major | 1 | 7B | 100 BPM | ||
| Charakterstücke, Op. 3, JB 1:65: No. 2, Wanderlied | Bedřich Smetana, Jitka Čechová | A Major | 1 | 11B | 146 BPM | ||
| Xàfec de Llum I Tenebres: VII. Vayamos | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | ||
| Sonata in E Major, Op. 6: II. Tempo di Menuetto | Felix Mendelssohn, Frederic Chiu | B♭ Major | 1 | 6B | 125 BPM | ||
| Saint-Saëns: 6 Études pour la main gauche seule, Op. 135: VI. Gigue | Camille Saint-Saëns, Aldo Ciccolini | G Major | 2 | 9B | 162 BPM |