N. Rajam's 'Vande Mataram-Drnrajam' had a release date set for March 7, 1997. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Vande Mataram-Drnrajam's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Genius of Dr. N. Rajam". In this album, this song's track order is #12. Furthermore, we believe that the track originated from India. Based on our statistics, Vande Mataram-Drnrajam's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Vande Mataram-Drnrajam by N. Rajam having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eri Aali Piya Bin | Ajoy Chakrabarty | F♯ Major | 7 | 2B | 100 BPM | ||
| Bairan Ratiya Dadra | Prabha Atre | A♭ Minor | 4 | 1A | 107 BPM | ||
| Eri Meri Aan - Paatdeep | Amir Khan | D Major | 3 | 10B | 70 BPM | ||
| Subramanyane | Ranganayaki Rajagopalan | E Minor | 5 | 9A | 169 BPM | ||
| Aarti | Dinesh Mishra | E Major | 4 | 12B | 98 BPM | ||
| Kashmiri Dhun in Dadra Tal | Ronu Majumdar, Abhijit Banerjee | E Major | 1 | 12B | 137 BPM | ||
| Raga Sumaneesha Ranjani - Madhukauns | A. Kanyakumari, Janardan Mitta | C Major | 5 | 8B | 75 BPM | ||
| Folk: Aadhi Taal, 8 Beats | Pandit Vinayak Vora, M. Kalyanaraman | A Major | 5 | 11B | 118 BPM | ||
| Kaisee Bansi Bajayi | Girija Devi | A♭ Major | 5 | 4B | 91 BPM | ||
| Raghupathi Raghava Rajaram | U. Srinivas | A Minor | 3 | 8A | 159 BPM | ||
| Tharuni Njan - Dvijavanthi - Misra Chapu | N. J. Nandini | A♭ Major | 4 | 4B | 132 BPM | ||
| Bhajare Rama Charan Satatam Bhajare Rama Charan | Sri Sathya Sai Bhajans | D Major | 4 | 10B | 149 BPM | ||
| Raga Kirwani - Alap Gat - Teental | Iqubal Huein, Brij Narayan | E♭ Major | 7 | 5B | 120 BPM | ||
| Batu Nrutya | Ensemble traditionnel de l'Orissa | D Major | 6 | 10B | 97 BPM | ||
| Bin Dekhe | Shujaat Khan | F♯ Major | 5 | 2B | 82 BPM | ||
| Agra (India) 1987 - Kharawa | Zakir Hussain & Hariprasad Chaurasia | C Major | 6 | 8B | 122 BPM | ||
| Meri Sun Lo Maruti Nandan | Rajeev Singh | G Minor | 5 | 6A | 113 BPM | ||
| Raga Nilambari - Gat in Vilambit Ektaal | N. Rajam, Zakir Hussain | B Minor | 3 | 10A | 130 BPM | ||
| Jaunpuri | Buddhadev DasGupta | F Minor | 4 | 4A | 112 BPM | ||
| Throat Transcend 444hz | Bodhi Spirit | A Major | 0 | 11B | 90 BPM | ||
| Tilak Kamod | Shruti Sadolikar | A♭ Major | 3 | 4B | 156 BPM | ||
| Sriman Narayana | L. Subramaniam, M. S. Subbulakshmi | D♭ Major | 2 | 3B | 93 BPM | ||
| Thumak Chalat Ramchandra | N. Rajam | A♭ Major | 4 | 4B | 129 BPM | ||
| Gbogbo | Shegepiano | C Major | 1 | 8B | 87 BPM | ||
| Bhramari Pranayam - Raag Megh | Ronu Majumdar | E Major | 1 | 12B | 78 BPM |