On August 9, 2024, the song "Sonate e Partite: No. 67, Prestissimo (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 20 in Francesco Lecce: 67 Sonate e Partite, No. 51 - 67. Works for Unaccompanied Violin Recomposed for Solo Flute & Mandolin Concerto in G Major Recomposed for solo fluteby Luca Astolfoni Fossi, Book III by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Sonate e Partite: No. 67, Prestissimo (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite: No. 67, Prestissimo (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonia No. 6 in G Minor, Op. 5: I. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | B Major | 3 | 1B | 151 BPM | ||
| Flute Concerto No. 3 in C Major: II. Grave | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | C Minor | 1 | 5A | 65 BPM | ||
| Suite in A minor, for Recorder, Strings & Continuo, TWV 55:a2: Passepied I-II | Georg Philipp Telemann, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | A Minor | 0 | 8A | 108 BPM | ||
| Concerto Grosso in D Major, Op. 3, No. 1: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | B Minor | 1 | 10A | 114 BPM | ||
| Concerto Grosso in G Minor after Corelli, Op. 5, No. 5: II. Vivace | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 115 BPM | ||
| Sinfonia da camera in D Major, LWV VII:D5: IV. Allegro | Leopold Mozart, Ursula Paludan Monberg, Jonathan Cohen, Arcangelo | D Major | 1 | 10B | 123 BPM | ||
| Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Sonata in D Major, Op. 6, No. 7: III. Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | B♭ Minor | 0 | 3A | 52 BPM | ||
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| Mandolin Concerto in G Major: I. Allegro | Francesco Lecce, Raffaele La Ragione, Il Pomo D'oro, Francesco Corti | F♯ Major | 2 | 2B | 124 BPM | ||
| Sonata in C Major, No. 3: I. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 1 | 1B | 131 BPM | ||
| Flute Sonata in E Minor, H. 551: II. Allegro | Carl Philipp Emanuel Bach, Guy Penson, Jan Sciffer, Marc Grauwels | G Major | 2 | 9B | 118 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 3. Allegro | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 109 BPM | ||
| Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 6 in E major: IV. Affettuoso | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E♭ Major | 1 | 5B | 68 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| Sonate en trio pour deux violoncelles et une contrebasse No. 6 Op. 2: III. Minuetto 1 & 2 | Louis-François-Joseph Patouart, UnderStories Ensemble | D♭ Major | 1 | 3B | 97 BPM | ||
| Cello Sonata in C Major, Op. 5 No. 3, H. 105: I. Andante | Francesco Geminiani, Andreas Gilger, Adrian Cygan | B Major | 1 | 1B | 92 BPM | ||
| Harpsichord Concerto No. 4 in A Major, BWV 1055 (Adapted for Oboe d'amore, Strings and Basso continuo): II. Larghetto | Johann Sebastian Bach, Albrecht Mayer, Berliner Barock Solisten | N/A | N/A | N/A | 0 BPM | ||
| Harpsichord Concerto No. 7 in G Minor, BWV 1058: III. Allegro assai | Johann Sebastian Bach, Francesco Corti, Il Pomo D'oro | F♯ Minor | 4 | 11A | 133 BPM | ||
| Concert royaux, Quatrième concert in E Minor: VII. Forlane en rondeau. Gaiement | François Couperin, Lucie Horsch, Tom Foster | E♭ Major | 0 | 5B | 72 BPM | ||
| Violin Sonata No. 2 in D Minor, C. 139: I. [...] | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | ||
| Symphony in C Major, J-C 4: III. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Rameau: Dardanus, Act 4: Contredanse | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | A Major | 2 | 11B | 124 BPM | ||
| Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, I Virtuosi Italiani, Alberto Martini | A Major | 1 | 11B | 102 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM |