Phosphorescent's 'The Quotidian Beasts - Live' had a release date set for February 17, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Phosphorescent's "Live at the Music Hall" album is number 4 out of 19. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Quotidian Beasts - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Quotidian Beasts - Live by Phosphorescent to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kathleen | Curse of Lono | D Major | 4 | 10B | 82 BPM | ||
| As Always | Clap Your Hands Say Yeah | A Major | 8 | 11B | 181 BPM | ||
| Surrender Under Protest | Drive-By Truckers | F Major | 9 | 7B | 137 BPM | ||
| Miles from the Sea | Calexico | G Minor | 4 | 6A | 73 BPM | ||
| The Changing Man/While It Still Beats (Ouroboros Part 1) | Ray LaMontagne | D♭ Major | 6 | 3B | 127 BPM | ||
| Careless | EL VY | D♭ Minor | 6 | 12A | 120 BPM | ||
| Standing on the Moon | Phosphorescent | G Major | 5 | 9B | 122 BPM | ||
| Loading Zones | Kurt Vile | E Minor | 8 | 9A | 112 BPM | ||
| Me Again | J Mascis | E♭ Major | 4 | 5B | 171 BPM | ||
| Fortune Teller - Live with Deutsches Filmorchester Babelsberg | Calexico | E Major | 4 | 12B | 130 BPM | ||
| Mirror Walls | Deer Tick | G Major | 5 | 9B | 127 BPM | ||
| Dear One | Jim James | A Minor | 6 | 8A | 161 BPM | ||
| A Girl In Port | Okkervil River | E Major | 4 | 12B | 147 BPM | ||
| 45/33 | The Rural Alberta Advantage | G Minor | 8 | 6A | 102 BPM | ||
| Mange | Deer Tick | F Major | 7 | 7B | 95 BPM | ||
| Revisited | The Antlers | C Major | 5 | 8B | 138 BPM | ||
| Heal the Star | J Mascis | G Major | 6 | 9B | 142 BPM | ||
| Song For Zula - Live From Spotify London | Phosphorescent | E Major | 3 | 12B | 88 BPM | ||
| Cecil Taylor | Jonathan Wilson | A Minor | 2 | 8A | 160 BPM | ||
| My Beautiful Boy | Phosphorescent | C Major | 6 | 8B | 77 BPM | ||
| The Great Exhale | Great Lake Swimmers | E Major | 2 | 12B | 127 BPM | ||
| Dark Eyes | Iron & Wine, Calexico | C Minor | 5 | 5A | 113 BPM | ||
| To Be Completely Honest | Dawes | D Major | 5 | 10B | 135 BPM | ||
| I Am Fire | The Afghan Whigs | D♭ Minor | 8 | 12A | 137 BPM | ||
| In Reverse | The War On Drugs | D♭ Major | 5 | 3B | 114 BPM |