"Aurore" by Rorcal had its release date on October 1, 2008. This song appears to be safe for all ages as it is not explicit. The track order of this song in Rorcal's "Myrra Mordvynn Marayaa" album is number 1 out of 9. On top of that, France appears to be the country where this track was created. In terms of popularity, Aurore is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Aurore by Rorcal to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Welcome Home | Mike Franklin | F♯ Minor | 9 | 11A | 132 BPM | ||
| Altars of Nothingness | Rorcal, Earthflesh | E♭ Major | 5 | 5B | 98 BPM | ||
| XI | Rorcal | B♭ Minor | 9 | 3A | 126 BPM | ||
| Flesh Cathedral | Svartidaudi | F♯ Major | 8 | 2B | 135 BPM | ||
| The Fool Who Thought He Was King | Ragana, Thou | A♭ Minor | 5 | 1A | 101 BPM | ||
| Vultures swirling overhead, an obsidian wreath cast above a sleeping mind | Rejoice! The Light Has Come | D Major | 7 | 10B | 85 BPM | ||
| Irae | NŪR | D Major | 10 | 10B | 132 BPM | ||
| Rescission | Codespeaker | G Major | 8 | 9B | 120 BPM | ||
| Fucking Bliss | COCKRING | E Minor | 8 | 9A | 122 BPM | ||
| Disentombed and Reassembled by the Ages | Fossilization | F♯ Major | 10 | 2B | 180 BPM | ||
| Hammer of Desolation | Nightmarer | F Major | 10 | 7B | 135 BPM | ||
| Tether and Swine | Knoll | D Minor | 5 | 7A | 75 BPM | ||
| Weightless Prayers | Helpless | A♭ Major | 7 | 4B | 81 BPM | ||
| La Pluie, Le Torrent, La Boue, Le Vent, La Lave | Mourir | G Minor | 4 | 6A | 121 BPM | ||
| Glutton | Lo! | G Major | 9 | 9B | 156 BPM | ||
| Trampled by Light | Secret Cutter | A♭ Major | 10 | 4B | 157 BPM | ||
| Venus Illegitima | Svartidaudi | C Major | 10 | 8B | 154 BPM | ||
| Dreams of the Blood | FÓRN | A Major | 5 | 11B | 140 BPM | ||
| The presence of a being, whose interest in our endeavor is ephemeral and rarely believed, speaks imperceptibly in the space between our breaths | Rejoice! The Light Has Come | B Minor | 8 | 10A | 155 BPM | ||
| Of Troth to Atom | Knoll | D Minor | 5 | 7A | 75 BPM | ||
| In the Name of the Moth | Bosse-de-Nage | A Minor | 7 | 8A | 76 BPM | ||
| The End Is Mine to Ride | Terra Tenebrosa | D♭ Major | 9 | 3B | 135 BPM | ||
| DIE TODAY LIVE FOREVER / BRIDE II | SLOWHOLE | B Minor | 9 | 10A | 90 BPM | ||
| Unending Call of Woe | Woe | B♭ Major | 10 | 6B | 159 BPM | ||
| Hevy | Hell | B Minor | 2 | 10A | 100 BPM |