Cynic's 'King' had a release date set for 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Re-Traced". In this album, this song's track order is #3. The popularity of King is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With King by Cynic having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Consternation | Katatonia | F Major | 9 | 7B | 111 BPM | ||
| They Aren't All Beautifull | maudlin of the Well | D Major | 10 | 10B | 169 BPM | ||
| Pura Vida | Mestís | G Major | 10 | 9B | 144 BPM | ||
| Autotheist Movement III: Deconsecrate | The Faceless | D♭ Major | 9 | 3B | 110 BPM | ||
| Shoot First | The Pineapple Thief | A Minor | 8 | 8A | 100 BPM | ||
| The Incident | Porcupine Tree | F Major | 7 | 7B | 162 BPM | ||
| Kuraman | Soen | A Minor | 8 | 8A | 182 BPM | ||
| Foam Born (A) The Backtrack | Between The Buried And Me | B♭ Minor | 5 | 3A | 120 BPM | ||
| Reason | Novembre | C Major | 8 | 8B | 105 BPM | ||
| Illusion: Aurora | Skyharbor | D♭ Minor | 9 | 12A | 100 BPM | ||
| Shooting Star | Anekdoten | E Major | 7 | 12B | 124 BPM | ||
| Encounterparts | Dan Swanö | E Minor | 9 | 9A | 120 BPM | ||
| Get out Alive | Anekdoten | E Minor | 6 | 9A | 129 BPM | ||
| Empty Vessels Make the Loudest Sound | The Mars Volta | A Minor | 8 | 8A | 144 BPM | ||
| (B) The Decade Of Statues | Between The Buried And Me | A Major | 9 | 11B | 188 BPM | ||
| Ricochet | Anekdoten | D Minor | 8 | 7A | 122 BPM | ||
| Presence | Anathema | D Minor | 4 | 7A | 138 BPM | ||
| The Eagle Nature | Cynic | E Minor | 10 | 9A | 125 BPM | ||
| Allure | Skyharbor, Mark Holcomb | F♯ Minor | 9 | 11A | 193 BPM | ||
| Terminal | OSI | F Minor | 6 | 4A | 120 BPM | ||
| Goodbye to Everything Reprise | Between The Buried And Me | A Major | 7 | 11B | 125 BPM | ||
| Abyssopelagic Ii: Signals of Anxiety | The Ocean | A Minor | 6 | 8A | 80 BPM | ||
| Imago | The Mars Volta | B Minor | 7 | 10A | 173 BPM | ||
| Yellow | Jakub Zytecki | E Minor | 9 | 9A | 177 BPM | ||
| Holocene | The Ocean | D Major | 8 | 10B | 170 BPM |