Ryuichi Sakamoto's ' "君と僕と彼女のこと" was released on its scheduled release date, April 4, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "sweet revenge". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Japan. 君と僕と彼女のこと is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With 君と僕と彼女のこと by Ryuichi Sakamoto having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| TEMA PARA ANA - Instrumental | Morelenbaum2, Ryuichi Sakamoto | F Major | 1 | 7B | 110 BPM | ||
| Moments Musicaux - Prelude | 阿部海太郎 | F♯ Major | 0 | 2B | 71 BPM | ||
| Andata | Ryuichi Sakamoto | E♭ Major | 5 | 5B | 124 BPM | ||
| Rêverie, L. 68 | Claude Debussy, Alice Sara Ott | G Minor | 0 | 6A | 68 BPM | ||
| energy flow - rework | U-zhaan, Ryuichi Sakamoto | C Major | 4 | 8B | 168 BPM | ||
| WORLD (Variation 2) | Lia Ouyang Rusli | E Minor | 3 | 9A | 48 BPM | ||
| Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
| Scotch Rose | Stephen Emmer | G Major | 1 | 9B | 78 BPM | ||
| And Birds Are Still . . ., Op. 72 | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata | G Major | 1 | 9B | 75 BPM | ||
| Pierrepont | Shuta Hasunuma | F Minor | 2 | 4A | 126 BPM | ||
| Un final sans fin II - 永遠に終わらないフィナーレ II | Umitaro Abe, BUN Imai | F Major | 0 | 7B | 70 BPM | ||
| 父 | Masakatsu Takagi | D♭ Major | 0 | 3B | 132 BPM | ||
| Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | ||
| haru | Fennesz, Ryuichi Sakamoto | B♭ Minor | 1 | 3A | 72 BPM | ||
| 国宝 | Marihiko Hara | G Minor | 0 | 6A | 76 BPM | ||
| By This River | alva noto, Ryuichi Sakamoto | G Minor | 1 | 6A | 135 BPM | ||
| Blue Hour | Taisei Iwasaki | G Major | 1 | 9B | 101 BPM | ||
| long time | Rei Harakami | F♯ Minor | 0 | 11A | 74 BPM | ||
| ササユリ | Umitaro Abe | C Major | 1 | 8B | 165 BPM | ||
| for Jóhann | Ryuichi Sakamoto | B Minor | 0 | 10A | 62 BPM | ||
| Drive My Car (Kafuku) | Eiko Ishibashi | D Major | 5 | 10B | 160 BPM | ||
| Amore | Ryuichi Sakamoto | F Major | 1 | 7B | 117 BPM | ||
| Nami | MEITEI | D♭ Major | 7 | 3B | 151 BPM | ||
| Destroyer | Melodyan | D Major | 3 | 10B | 110 BPM | ||
| Bibo no Aozora | Ryuichi Sakamoto | C Major | 0 | 8B | 68 BPM |