"Milonga en Re (Tango)" by Astor Piazzolla, Carter Brey, Christopher O'Riley had its release date on May 19, 2009. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Carter Brey, Christopher O'Riley's "Le Grand Tango" album is number 4 out of 13. On top of that, United States appears to be the country where this track was created. Milonga en Re (Tango) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Milonga en Re (Tango) by Astor Piazzolla, Carter Brey, Christopher O'Riley to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Milonga de Mis Amores | Color Tango | A Major | 5 | 11B | 113 BPM | ||
| Rêve bohemien | Raul Barboza, Daniel Colin, Dominique Cravic | F Major | 3 | 7B | 112 BPM | ||
| Punto final - Instrumental | Fabio Hager Sexteto | D Major | 6 | 10B | 120 BPM | ||
| Caribbean Vibes (First Movement from The Four Seasons in Janoska Style, Summer, Violin Concerto in G Minor, Op. 8/2, RV 315) | Antonio Vivaldi, Janoska Ensemble | D Major | 3 | 10B | 179 BPM | ||
| 4 Estaciones Portenas (pour guitare): N°.1 Primavera Porteña | Göran Söllscher, Astor Piazzolla | E Minor | 0 | 9A | 129 BPM | ||
| Canaro en Paris | Orquesta Juan D' Arienzo | E Major | 5 | 12B | 128 BPM | ||
| Tristango | Astor Piazzolla | F Major | 4 | 7B | 98 BPM | ||
| Concierto Para Quinteto | Astor Piazzolla | A♭ Major | 2 | 4B | 75 BPM | ||
| Las Cuatro Estaciones Porteñas: II. Otoño Porteño | Gryphon Trio | A Minor | 2 | 8A | 74 BPM | ||
| Tres minutos con la realidad (Three Minutes with Reality) | Astor Piazzolla, Kathryn Stott, Yo-Yo Ma, Horacio Malvicino, Oscar Castro-Neves, Antonio Agri, Hector Console, Néstor Marconi | A Minor | 5 | 8A | 157 BPM | ||
| Margarita De Agosto | Raul Garello | D Minor | 2 | 7A | 84 BPM | ||
| Valse des Adieux | Claudio Constantini | A Minor | 3 | 8A | 180 BPM | ||
| Adios Nonino | Hugo Díaz | F♯ Minor | 1 | 11A | 134 BPM | ||
| Ensueños | Sexteto Mayor | E Minor | 2 | 9A | 114 BPM | ||
| Oblivion | Esteban Morgado | D Minor | 5 | 7A | 116 BPM | ||
| Mano A Mano | Hugo Díaz | A Minor | 3 | 8A | 102 BPM | ||
| Dos Extranos | Juan Carlos Caceres | E Minor | 3 | 9A | 66 BPM | ||
| Mancini: The Pink Panther | Henry Mancini, Gautier Capuçon, Capucelli | D Major | 1 | 10B | 104 BPM | ||
| Trampa Del Alma (Featuring Sandra Corizzo) | San Telmo Lounge | G Minor | 4 | 6A | 92 BPM | ||
| Milonga In D Minor | Craig Einhorn | D Minor | 3 | 7A | 97 BPM | ||
| Sueño Azul | Osvaldo Fresedo | D Minor | 1 | 7A | 88 BPM | ||
| La Cumparsita | Bandonegro | G Minor | 2 | 6A | 133 BPM | ||
| El Penultimo | Orquesta Picante | F♯ Minor | 3 | 11A | 104 BPM | ||
| Anclao En Paris | Rubén Juárez | G Major | 4 | 9B | 110 BPM | ||
| Mulatada | Amores Tangos | G Minor | 1 | 6A | 100 BPM |