"Happy Birthday: Variation 6 (After R. Wagner)" by Peter Heidrich, Lui Chan, Pierre Cochand, Kammerorchester Ensemble Classico had its release date on 2002. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Happy Birthday: Variation 6 (After R. Wagner)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lui Chan, Pierre Cochand, Kammerorchester Ensemble Classico's "Happy Birthday Variations and Highlights from the Classic" album is number 7 out of 25. On top of that, Switzerland appears to be the country where this track was created. Based on our statistics, Happy Birthday: Variation 6 (After R. Wagner)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Happy Birthday: Variation 6 (After R. Wagner) by Peter Heidrich, Lui Chan, Pierre Cochand, Kammerorchester Ensemble Classico to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Variation on "Happy Birthday": Variation XIV "Hungarian Style" | Peter Heidrich, Orchestra della Svizzera Italiana, Howard Griffiths | C Minor | 2 | 5A | 176 BPM | ||
| Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 1 | 9B | 83 BPM | ||
| Ouverture | Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker | E♭ Major | 1 | 5B | 94 BPM | ||
| Dai Allegri Musicanti | Georg Pommer | D Major | 1 | 10B | 116 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Ritirata notturna di Madrid | Luigi Boccherini, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 2 | 8B | 135 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| Verbunkos Suite: II. Fresh Hungarian | Rezső Kókai, Ágnes Szakály, Miskolc Symphony Orchestra, Laszlo Kovacs | D Major | 1 | 10B | 59 BPM | ||
| Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
| William Tell: Overture (Excerpt) | Gioachino Rossini, Tasmanian Symphony Orchestra, Ola Rudner | D Major | 2 | 10B | 115 BPM | ||
| Russian Romances and Folksongs - Arr. Georges Streha: "Ach, ty dolja, moja dolja ... dolja gorkogo golja" (Alas, Fate ... O bitter Fate) | Traditional, Boris Christoff, Balalaika Orchester Dima Liakhoff, Dima Liakhoff, Michael Achilles, Jürgen Brüggebors, Gaston Maugras, Herve Le Floch, Peter Heidrich, Emilia Baranowska, Jean-Marie Gemard, Gesine Tiefuhr | E Minor | 1 | 9A | 174 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík | D Major | 2 | 10B | 100 BPM | ||
| String Quintet in A major, Op. 11/5, G 275: Minuetto | The Smithsonian Chamber Players | A♭ Major | 0 | 4B | 184 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Aldo Ciccolini, Alexis Weissenberg, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | A Minor | 0 | 8A | 86 BPM | ||
| Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
| The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | ||
| Happy Birthday: Variation 8 (In the Style of Vienese Music) | Peter Heidrich, Lui Chan, Pierre Cochand, Kammerorchester Ensemble Classico | D Major | 2 | 10B | 98 BPM | ||
| Handel: Music for the Royal Fireworks, HWV 351: I. Overture | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin | D Major | 3 | 10B | 121 BPM | ||
| Funiculi Funicula | Five Sense | F Major | 2 | 7B | 138 BPM | ||
| Arrival of the Queen of Sheba | George Frideric Handel, Budapest Strings, Béla Bánfalvi | B♭ Major | 2 | 6B | 107 BPM | ||
| Kleiner Wiener Marsch | Fritz Kreisler, Salonorkest Trocadero | A Major | 1 | 11B | 181 BPM | ||
| Winter - Largo | Ensemble L'arco | B♭ Major | 2 | 6B | 140 BPM | ||
| Waits Dance | Florian Dohrmann, David Orlowsky Trio | B Minor | 1 | 10A | 134 BPM | ||
| Le carnaval des animaux, R. 125: IV. Tortues - V. L'Éléphant - VI. Kangourous | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Major | 0 | 6B | 133 BPM |