- BPM
- 94
- Key
- D Major
- Camelot
- 10B
Benedictus by Krzysztof Penderecki, Toronto Children's Chorus Song Details
Krzysztof Penderecki, Toronto Children's Chorus's 'Benedictus' had a release date set for September 30, 2003. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 15 in A Song For All Seasons by Toronto Children's Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Benedictus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Benedictus by Krzysztof Penderecki, Toronto Children's Chorus is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.493 dB
- Acousticness
- 97%
- Danceability
- 30%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 69%
- Speechiness
- 3%
- Valence
- 20%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Chamber Symphony No. 5 in A-Flat Major, Op. 118a: III. Adagio | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | A Minor | 0 | 8A | 86 BPM | |
 | Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | The Firebird (Original Version): No. 20, Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | E♭ Minor | 0 | 2A | 172 BPM | |
 | Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | |
 | Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | |
 | Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | |
 | Suite from "The Hours" - Movement I | Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra | F Minor | 4 | 4A | 155 BPM | |
 | The Arts and the Hours | Víkingur Ólafsson, Jean-Philippe Rameau | D♭ Major | 0 | 3B | 136 BPM | |
 | Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema - Titelmusik | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | F Major | 0 | 7B | 70 BPM | |
 | Fugue in Four Keys on "The Shining Shore" | Charles Ives, Orchestra New England, James Sinclair | C Major | 1 | 8B | 60 BPM | |
 | Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | |
 | Symphony No. 3, Op. 36, "Symfonia piesni zalosnych" (Symphony of Sorrowful Songs): II. Lento e largo - Tranquillissimo | Henryk Górecki, Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 87 BPM | |
 | Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp) | Clara Schumann, Magdalena Hoffmann | D Minor | 0 | 7A | 76 BPM | |
 | 7 Papillons: No. 2, — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 85 BPM | |
 | En nacelle | Henrique Oswald, Sergio Monteiro | F♯ Major | 0 | 2B | 117 BPM | |
 | Orphée Suite: VI. Orphée's Return | Philip Glass, Paul Barnes | F Major | 1 | 7B | 127 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Erbarm dich mein, o Herre Gott, BWV 721 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Major | 0 | 10B | 79 BPM | |
 | Bach: Adagio (After Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | |
 | 6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | A Major | 4 | 11B | 134 BPM | |
 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | Maurice Ravel, Pierre Boulez, The Cleveland Orchestra | C Major | 2 | 8B | 107 BPM | |
 | Cadenza | Krzysztof Penderecki, James Creitz | D Minor | 1 | 7A | 111 BPM | |
 | Tre Laude Dolce: I | Gavin Bryars, Matthew Barley | C Major | 0 | 8B | 171 BPM |
- ISRC
- CAM230300065
- Label
- L-M Records/RCA Records