On December 31, 1977, the song "Lingobacha Dongur" was released by Ravindra, Chandrakant Kale. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hridaynath Mangeshkar, N.D.Mahanor's "Jait Re Jait" album is number 10 out of 13. Based on our statistics, Lingobacha Dongur's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Lingobacha Dongur by Ravindra, Chandrakant Kale to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shoor Amhi Sardar | Hridaynath Mangeshkar | B♭ Major | 4 | 6B | 111 BPM | ||
| Maan Velavuni Dhund Bolu Nako | Arun Date | A♭ Major | 3 | 4B | 74 BPM | ||
| Avaghachi Ha Sansar | Devaki Pandit, Ashok Patki | E Minor | 3 | 9A | 131 BPM | ||
| Vinchu Chawla | Ajay-Atul, Akshay Taak, Ramanand Ugale | B Major | 8 | 1B | 123 BPM | ||
| Lagi Kalejva Katar | Jitendra Abhisheki | F Major | 3 | 7B | 143 BPM | ||
| Baynabayacha Ghar Va | Chandrakant Kale | F♯ Major | 1 | 2B | 187 BPM | ||
| Kuni Majhya Manat Laplay Re | Usha Mangeshkar, Chandrashekhar Gadgil | A Minor | 3 | 8A | 88 BPM | ||
| Navika Re Vara Vahe Re | Suman Kalyanpur | B♭ Major | 3 | 6B | 136 BPM | ||
| Jevha Tichi Ni Mazi | Arun Date | D♭ Major | 2 | 3B | 116 BPM | ||
| Jejurichya Khanderaya | Shahir Sable | D♭ Major | 7 | 3B | 114 BPM | ||
| Gela Hari Kunaya Gava | Prahlad Shinde | E♭ Minor | 3 | 2A | 73 BPM | ||
| Swar Tipecha | Shailesh Ranade | D Major | 5 | 10B | 154 BPM | ||
| Malhari Pivala Jhala | Vijay Sartape | D♭ Major | 6 | 3B | 104 BPM | ||
| Janma Baicha | Rahul Ranade | E♭ Major | 4 | 5B | 184 BPM | ||
| Vallav Re Nakhwa | Arpita Chakraborty | B♭ Major | 4 | 6B | 114 BPM | ||
| Kashi Nashibana Thatta Aaj Mandali | Sudhir Phadke, Usha Mangeshkar | B♭ Major | 2 | 6B | 112 BPM | ||
| Hi Chaal Turu Turu | Jaywant Kulkarni | G Major | 4 | 9B | 122 BPM | ||
| Tarun Aahe Ratra Ajunahi | Shankar Mahadevan, Sapna Pathak | E♭ Minor | 5 | 2A | 115 BPM | ||
| Darshan De Re Bhagvanta | Prahlad Shinde | F Major | 5 | 7B | 178 BPM | ||
| Kata Rute Kunala | Jitendra Abhisheki | F♯ Minor | 5 | 11A | 79 BPM | ||
| Tejonidhi Lohagol | Shankar Mahadevan | A Major | 4 | 11B | 111 BPM | ||
| Dhund Madhumati | Lata Mangeshkar | E♭ Minor | 2 | 2A | 98 BPM | ||
| Ye Re Ghana | Asha Bhosle | D Minor | 1 | 7A | 127 BPM | ||
| Petla Gadi | Ajay Gogavale | A Major | 4 | 11B | 115 BPM | ||
| Runanubandhachya | Kumar Gandharva, Vani Jairam | B♭ Major | 3 | 6B | 104 BPM |