"The GK Connect" by Gopi Sundar had its release date on December 29, 2025. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 33 out of 52 in Bha Bha Ba (Original Background Score) by Gopi Sundar, Vineeth Sreenivasan, Vinayak Sasikumar, Manu Manjith. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, The GK Connect's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The GK Connect by Gopi Sundar is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Akashamayavale | Bijibal, Shahabaz Aman, Nidheesh Naderi | C Major | 1 | 8B | 81 BPM | ||
| Vanil Chandrika | Arvind Venugopal, Zia Ul Haq, Sooraj S. Kurup, Shabareesh Varma | D♭ Minor | 5 | 12A | 155 BPM | ||
| Kaalam - Hope Project | Job Kurian | D Major | 4 | 10B | 82 BPM | ||
| Kayyetha Kombatho - Female Version | Ilaiyaraaja, Manjari | F Major | 2 | 7B | 65 BPM | ||
| Ada Ada | Keeravani, Vidhu Prathap, Sahithi | D Major | 6 | 10B | 115 BPM | ||
| Aethu Kari Raavilum - From "Bangalore Days" | Haricharan, Gopi Sundar | C Minor | 7 | 5A | 115 BPM | ||
| Dheera Dheera | M. M. Keeravaani, Sudeep Kumar, Manjari | A Minor | 6 | 8A | 77 BPM | ||
| Kaana Chembaka Poo | Vijay Yesudas, Sreejith Edavana, Santhosh Varma | A Minor | 6 | 8A | 147 BPM | ||
| Cherathukal (From "Kumbalangi Nights") | Sushin Shyam, Sithara Krishnakumar | A♭ Major | 8 | 4B | 97 BPM | ||
| Melle Melle | Ifthi, Manu Manjith, Rayshad Rauf, Bindu Anirudhan | D Minor | 4 | 7A | 140 BPM | ||
| Njan Kanavil -Swetha (from "Aagathan") | Shweta Mohan | F♯ Major | 7 | 2B | 100 BPM | ||
| Raave | Haricharan, Neha S. Nair, Yakzan Gary Pereira, Rafeeq Ahamed | E Minor | 5 | 9A | 172 BPM | ||
| Oru Naal Ini Naam | Sreejith Edavana, Haricharan, Sooraj Santhosh | E♭ Minor | 7 | 2A | 150 BPM | ||
| Chiriye - From "Rekhachithram" | Mujeeb Majeed, Kapil Kapilan, Suhail Koya | D Major | 6 | 10B | 82 BPM | ||
| Nyabagam | Amrit Ramnath, Sindoora Jishnu | C Major | 1 | 8B | 174 BPM | ||
| Neeyilla Neram | Sooraj S. Kurup, B.K. Harinarayanan | F♯ Minor | 5 | 11A | 126 BPM | ||
| Onnam Ragam | Sanah Moidutty | E Minor | 4 | 9A | 142 BPM | ||
| Aluva Puzha | Vineeth Sreenivasan, Rajesh Murugesan | C Major | 5 | 8B | 97 BPM | ||
| Nilapakshi Sad Version | Sushin Shyam, Neha S. Nair, Vinayak Sasikumar | E Minor | 4 | 9A | 99 BPM | ||
| Salam | Mohammed Maqbool Mansoor | A Minor | 4 | 8A | 100 BPM | ||
| Namma Ooru Bengaluru - From "Bangalore Days" | Gopi Sundar, Santhosh Varma | B Minor | 7 | 10A | 90 BPM | ||
| Mel Mel | Gopi Sundar, Naresh Iyer, Anna Katharina Valayil | D Minor | 4 | 7A | 106 BPM | ||
| Ulakathin | Rahul Raj, Arun Alat, Backing Vocals: Joju Sebastian | F Minor | 8 | 4A | 105 BPM | ||
| Kannadi Vaathil | Rahul Raj, Haricharan | D♭ Major | 2 | 3B | 117 BPM | ||
| Laare | Matadoria | D♭ Major | 7 | 3B | 110 BPM |