"20 msec. - Fennesz Remix" by Ryuichi Sakamoto, christianfennesz had its release date on May 24, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 14 in Bricolages by Ryuichi Sakamoto. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, 20 msec. - Fennesz Remix's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of 20 msec. - Fennesz Remix by Ryuichi Sakamoto, christianfennesz is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ササユリ | Umitaro Abe | C Major | 1 | 8B | 165 BPM | ||
| Merry Christmas Mr. Lawrence | Ryuichi Sakamoto | D♭ Major | 2 | 3B | 73 BPM | ||
| Principe | R.S. Levi | N/A | N/A | N/A | 0 BPM | ||
| Sakura | Takahiro Kido | E♭ Major | 0 | 5B | 80 BPM | ||
| Fatalism - Ryuchi Sakamoto & Yukihiro Takahashi Remix | Massive Attack, Guy Garvey, Ryuichi Sakamoto, Yukihiro Takahashi | A Minor | 4 | 8A | 159 BPM | ||
| The Last One | Chicco Birds | B♭ Minor | 0 | 3A | 75 BPM | ||
| HAPPYEND Theme (Opening) | Lia Ouyang Rusli | B Minor | 4 | 10A | 136 BPM | ||
| In a Landscape | John Cage, Alexei Lubimov | B♭ Major | 0 | 6B | 69 BPM | ||
| Still Waters 湖 | Marihiko Hara | G Major | 3 | 9B | 152 BPM | ||
| WORLD (Variation 3) | Lia Ouyang Rusli | E Major | 2 | 12B | 176 BPM | ||
| 白い紫陽花 | Harumi Fuuki | E Major | 1 | 12B | 91 BPM | ||
| Utano | Meitei | F Minor | 3 | 4A | 92 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Goldfish | Shigeru Kishida | C Major | 7 | 8B | 128 BPM | ||
| Mad Rush: Part D (Bar 232 - Bar 273) | Philip Glass, Vestard Shimkus | F Major | 0 | 7B | 65 BPM | ||
| Perfect Day - Piano Komorebi Version | Patrick Watson | E♭ Major | 1 | 5B | 141 BPM | ||
| A Flower Is Not a Flower (Arr. for Guitar by Jonathan Bockelmann) | Ryuichi Sakamoto, Jonathan Bockelmann | G Major | 1 | 9B | 84 BPM | ||
| Scene II, Kyoto | 阿部海太郎 | G Major | 0 | 9B | 143 BPM | ||
| K’s Perspective | Marihiko Hara | B Minor | 4 | 10A | 140 BPM | ||
| Enfantillages pittoresques: II. Berceuse | Erik Satie, Cristina Ariagno | A Minor | 0 | 8A | 127 BPM | ||
| Rain | Ryuichi Sakamoto | B Major | 3 | 1B | 128 BPM | ||
| Ça range pas | Anton Sanko | C Minor | 4 | 5A | 130 BPM | ||
| Peers | Hi'Spec | F♯ Minor | 0 | 11A | 119 BPM | ||
| Sleep | Hiroshi Yoshimura | G Major | 4 | 9B | 95 BPM | ||
| BWV 974 - II Adagio - Rework | Víkingur Ólafsson, Ryuichi Sakamoto | A Minor | 1 | 8A | 94 BPM |