Swaroop Bhalwankar's ' "Bhiu Nkos Mi Tujhya Pathishi Aahe" was released on its scheduled release date, February 2, 2007. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Bhiu Nkos Mi Tujhya Pathishi Aahe and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Bhiu Nkos Mi Tujhya Pathishi Aahe's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Bhiu Nkos Mi Tujhya Pathishi Aahe by Swaroop Bhalwankar is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shiva | Jyothsna, Radhika | A♭ Major | 2 | 4B | 132 BPM | ||
| Swami Samarth Gajar | Kamalakar Tapasvi | C Major | 8 | 8B | 101 BPM | ||
| Swami Samarth Tarak Mantra | Mugdha Vaishampayan | D♭ Major | 2 | 3B | 125 BPM | ||
| Gayatri Mantra Slow | Sudha Biswas | D Major | 5 | 10B | 120 BPM | ||
| AAI | ADARSH SHINDE | D Minor | 2 | 7A | 141 BPM | ||
| Om Han Hanumate Namah | Manojj Negi | A♭ Major | 2 | 4B | 130 BPM | ||
| Sri Lakshmi Narasimha Ashtottara Shathanamavali | Mysore Sisters | A♭ Minor | 5 | 1A | 114 BPM | ||
| Om Sai Shri Sai Om | Pramod Medhi, Poonam Raj | A♭ Major | 7 | 4B | 92 BPM | ||
| Kanakadara Stothram | Srikanth Sharma | E Major | 3 | 12B | 78 BPM | ||
| Sri Adi Varahi Stotram | Bhandhavi | F♯ Minor | 9 | 11A | 115 BPM | ||
| Dawn Chant | Self-Realization Fellowship | D Major | 7 | 10B | 125 BPM | ||
| Swami Samarth Stuti | Kedar Phadke, Aboli Girhe, Deepali Desai | F♯ Major | 5 | 2B | 96 BPM | ||
| Pasaaydaan - From "Sant Dnyaneshwaranchi Muktaai" | Bela Shende, Avadhoot Gandhi, Devdutta Manisha Baji, Santsreshtha Shree Dnyaneshwar Maharaj | C Major | 2 | 8B | 87 BPM | ||
| Deen Bandu Kripa Sindhu | Bhagwat Acharya Shri Venu Gopal Swamiji | D♭ Major | 1 | 3B | 135 BPM | ||
| Ganesha Bhujangam | Ganesan | A Minor | 2 | 8A | 74 BPM | ||
| Dnynoba Mauli Tukaram | Jayteerth Mevundi | D Major | 4 | 10B | 180 BPM | ||
| Tere Kadmon Mein Jannat | Swaroop Bhalwankar, Mohammad Haroon | F♯ Minor | 7 | 11A | 85 BPM | ||
| Guru Mantra For Meditation | Sudha Biswas | D Major | 5 | 10B | 120 BPM | ||
| Ganpati Vandana | Minakshi Majumdar | F♯ Minor | 1 | 11A | 73 BPM | ||
| Hari Bol! | Mayuri Gandharvika | A♭ Minor | 5 | 1A | 80 BPM | ||
| Bagla Pratyangira Kavach | Shubhangi Singh | F Major | 8 | 7B | 82 BPM | ||
| Rahu Mantra | Umesh Joshi, Shantanu Herlekar, Vijay Dhuri, Rucha Soman, Pragati Joshi | G Minor | 3 | 6A | 116 BPM | ||
| Om Sai Namo Namah | Vani Jairam | D Major | 4 | 10B | 75 BPM | ||
| Shri Devi Stuti | Ashit Desai, Bhakti Choir | D Major | 1 | 10B | 94 BPM | ||
| Logass Path | Sanchi Lalani | C Major | 2 | 8B | 122 BPM |