Juan Zelada's 'The Blues Remain' had a release date set for January 1, 2012. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Juan Zelada's "High Ceilings & Collarbones" album is number 1 out of 12. On top of that, United Kingdom appears to be the country where this track was created. The Blues Remain is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Blues Remain by Juan Zelada to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| State Of Mind | Raul Midón | E Minor | 7 | 9A | 122 BPM | ||
| Barman | Juan Zelada | C Minor | 8 | 5A | 80 BPM | ||
| I Need Your Fire | Juan Zelada | F Minor | 6 | 4A | 97 BPM | ||
| Death Of Me | Tony Lucca | F Major | 1 | 7B | 86 BPM | ||
| Can't Let Go | Sean Costello | B♭ Major | 7 | 6B | 96 BPM | ||
| St. Lewis Blues | Peter Cincotti | D♭ Major | 6 | 3B | 206 BPM | ||
| A Change Is Gonna Come | Ben Sollee | A Major | 5 | 11B | 97 BPM | ||
| So Good Today (feat. The Dapkings) | Ben Westbeech, The Dap-Kings | A Major | 8 | 11B | 125 BPM | ||
| Don't Wanna Try | Saskwatch | F Minor | 8 | 4A | 187 BPM | ||
| Lipstick Jungle | Newton Faulkner | C Major | 3 | 8B | 122 BPM | ||
| (All I Wanted Was) Danger | The Milk | D Major | 9 | 10B | 165 BPM | ||
| Shine On | Eric Bibb | F♯ Minor | 9 | 11A | 158 BPM | ||
| Satisfied | Juan Zelada | E♭ Major | 3 | 5B | 149 BPM | ||
| Another Man's Words | Vintage Trouble | A Major | 5 | 11B | 140 BPM | ||
| Ride On | Gare Du Nord, Paul Carrack | D Major | 5 | 10B | 90 BPM | ||
| You Wind Me Up | Torsten Goods | F Minor | 7 | 4A | 206 BPM | ||
| The Simple Life | Chris Pierce | G Major | 5 | 9B | 98 BPM | ||
| Tell Him | Dionne Bromfield | B♭ Major | 7 | 6B | 95 BPM | ||
| Hard Swing Traveling Man | Brenda Boykin | A Major | 6 | 11B | 105 BPM | ||
| Love Me | The Little Willies | C Major | 3 | 8B | 108 BPM | ||
| Am I The Same Girl | Dionne Bromfield | G Major | 8 | 9B | 90 BPM | ||
| Too Late | Van Morrison | F Major | 6 | 7B | 133 BPM | ||
| The Weekend - Bonus Track | Allen Stone | B Major | 6 | 1B | 145 BPM | ||
| Elevators & Freight Trains (Acoustic) | Jamie Lono | A♭ Major | 4 | 4B | 153 BPM | ||
| Deep Voice | Iseo | E Major | 3 | 12B | 127 BPM |