"Spock" by James Horner had its release date on June 4, 1982. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Star Trek II: The Wrath of Khan Original Motion Picture Soundtrack". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Spock is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spock by James Horner having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Escape Invasion | John Harrison | A Minor | 5 | 8A | 117 BPM | ||
| Murphy Goes Home | Basil Poledouris | F♯ Major | 2 | 2B | 86 BPM | ||
| Sunday Morning | Mark Braids, Mark Buho | B♭ Minor | 3 | 3A | 80 BPM | ||
| Meld-Merized | Michael Giacchino | F Major | 1 | 7B | 59 BPM | ||
| High and Low | Masaru Sato | C Major | 1 | 8B | 169 BPM | ||
| Old Town | Declan Seth, Morgan Richards | F♯ Major | 1 | 2B | 105 BPM | ||
| Hospital Chase | Leonard Rosenman | C Major | 6 | 8B | 136 BPM | ||
| Moonchild | Klaus Doldinger | C Minor | 1 | 5A | 86 BPM | ||
| Legends of the Fall | James Horner, Vic Frasier, The London Studio Symphony Orchestra, Thomas Pasatieri, Don Davis, Jay Ungar, Kazu Matsui, Tony Hinnigan, Mike Taylor, Maggie Boyle, Dermot Crehan | D Major | 0 | 10B | 110 BPM | ||
| Suite From Emancipation | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Eternas | Armonias | B♭ Major | 1 | 6B | 145 BPM | ||
| Thank You | Sara Baghirova, Sara Bag | B♭ Major | 1 | 6B | 80 BPM | ||
| Ruth | Gerald Fried & Alexander Courage | F Major | 2 | 7B | 86 BPM | ||
| Into the Starscape | Craig Safan | E♭ Major | 2 | 5B | 113 BPM | ||
| Main Title | James Horner | G Major | 3 | 9B | 79 BPM | ||
| Pledge | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 3 | 7A | 115 BPM | ||
| Introitus: Praeceps Transito Spatium | Mark Snow | D♭ Major | 3 | 3B | 115 BPM | ||
| Prologue and Main Title | James Horner | G Major | 0 | 9B | 76 BPM | ||
| Where No Man Has Gone Before - Main Title | Alexander Courage | F♯ Major | 5 | 2B | 77 BPM | ||
| The Inferno | Dave Grusin | D Major | 1 | 10B | 171 BPM | ||
| Six Robots - Score Version | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| The End Titles | Angela Morley | C Major | 1 | 8B | 114 BPM | ||
| Trinity Infinity | Don Davis | E Minor | 4 | 9A | 132 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| Vapor | Mesyrea | F Minor | 6 | 4A | 154 BPM |