Stan Sulzmann, Steve Watts, Paul Clarvis, Huw Warren's 'Las Vegas Tango (Arr. by Pete Saberton)' had a release date set for June 12, 2003. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in ABRSM's "Jazz Alto Sax Tunes, ABRSM Grade 1" album is number 1 out of 40. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Las Vegas Tango (Arr. by Pete Saberton) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Las Vegas Tango (Arr. by Pete Saberton) by Stan Sulzmann, Steve Watts, Paul Clarvis, Huw Warren to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mond | Silas Moreau | C Major | 2 | 8B | 77 BPM | ||
| アイ・ソート・オブ・ユー | Sadao Watanabe | A♭ Major | 2 | 4B | 110 BPM | ||
| Slow Chairs | Seaside Groove | G Minor | 4 | 6A | 139 BPM | ||
| Chicago After The Last Call | Jazz & Co. | C Minor | 2 | 5A | 68 BPM | ||
| Jesse | Xavi Torres, Jesse Van Ruller | G Major | 1 | 9B | 97 BPM | ||
| Samba de Orfeu (Arr. by Andrea Vicari) | Stan Sulzmann, Nic France, Malcolm Edmonstone | C Major | 4 | 8B | 96 BPM | ||
| Yes or No | Carl Bagge Trio | A Minor | 3 | 8A | 131 BPM | ||
| Overleaf | London Dunes | E♭ Major | 2 | 5B | 116 BPM | ||
| The Jigsaw | Stan Sulzmann | D Minor | 3 | 7A | 89 BPM | ||
| Krell | Stan Sulzmann | D Minor | 3 | 7A | 89 BPM | ||
| As light retreats | Mabon Clarke Quartet | E♭ Major | 0 | 5B | 93 BPM | ||
| Fifth Avenue | The Jazz Room | F Minor | 3 | 4A | 81 BPM | ||
| On the Bloody Rainbows | Ray Ogden | F Major | 2 | 7B | 174 BPM | ||
| Not Quite Forgotten | Nerra Vale | B♭ Major | 1 | 6B | 103 BPM | ||
| Twilight's Hold | Maceo Valiente | G Minor | 3 | 6A | 175 BPM | ||
| Blue Thread | Modanova | C Major | 1 | 8B | 125 BPM | ||
| Self-Quarantine | Don Grusin | D♭ Major | 1 | 3B | 91 BPM | ||
| Twilight Array | Cool Breeze Ensemble | G Minor | 4 | 6A | 204 BPM | ||
| Twnenty-Seven 91 | Allan Botschinsky's Quintet, Stan Sulzmann | B♭ Major | 1 | 6B | 110 BPM | ||
| Quench | Niko de Oro | D♭ Major | 3 | 3B | 143 BPM | ||
| 6 a.m. Elevated | Sebastian Weiss, Dan Weiss, Miguel Zenón | C Major | 1 | 8B | 89 BPM | ||
| Spinning Shadows | León Areíto | F Minor | 2 | 4A | 107 BPM | ||
| Jazzophere | Cliff Haywood, Stan Sulzmann | G Minor | 2 | 6A | 88 BPM | ||
| Somliga går med trasiga skor | Jazzagenturen, Leo Lindberg Trio | F Minor | 5 | 4A | 98 BPM | ||
| Tarantel | Bob Salmieri, Alessandro De Angelis, Giampaolo Scatozza, Ermanno Dodaro | A♭ Major | 4 | 4B | 108 BPM |