On January 1, 2006, the song "Trisch Trasch Polka" was released by Various World Reknowed Orchestras And Conductors. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Trisch Trasch Polka's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. The popularity of Trisch Trasch Polka is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Trisch Trasch Polka by Various World Reknowed Orchestras And Conductors is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dance of the Snowflakes | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | C Major | 0 | 8B | 93 BPM | ||
| Soirées musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: Mrs Tiggy-Winkle's Laundry | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | F Major | 2 | 7B | 117 BPM | ||
| La traviata, Act III: Prelude | Giuseppe Verdi, Budapest Philharmonic Orchestra, Karolos Trikolidis | A♭ Major | 0 | 4B | 135 BPM | ||
| La Bayadère / Act 1: No.5 Andante sostenuto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 90 BPM | ||
| Raymonda, Act I: La Romanesca (Danse pour deux dames et deux pages) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E Minor | 1 | 9A | 106 BPM | ||
| Hostblomsten (Harvest Flower), Op. 208 | Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto | E Major | 2 | 12B | 82 BPM | ||
| Chocolate Mint Snowflakes | Russell Nollen | D Major | 3 | 10B | 91 BPM | ||
| Blue Danube Waltz | Various World Reknowed Orchestras And Conductors | D Major | 1 | 10B | 203 BPM | ||
| Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
| Jeanie with the Light Brown Hair | Stephen Foster, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | D Major | 2 | 10B | 95 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
| Le Corsaire: Alt. Tempo: II - "7 Grand Pas: Coda" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | E♭ Major | 2 | 5B | 120 BPM | ||
| Fantasie Impromptu | Various World Reknowed Orchestras And Conductors | D♭ Major | 0 | 3B | 82 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 2: No. 29, Pas de deux | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 88 BPM | ||
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes [Marching off] | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
| La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM | ||
| op. 46: I. Morning Mood: Peer Gynt Suite No.1 | Munich Philharmonic Orchestra, Paul Redinowski | E Major | 1 | 12B | 100 BPM | ||
| Britten: Soirées musicales, Op. 9: II. Canzonetta | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | D Major | 5 | 10B | 145 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 1, Introduction - No. 2, Dance of the Cock and Hens | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 115 BPM | ||
| Elizabethan Serenade | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 149 BPM | ||
| Swan Lake | Various World Reknowed Orchestras And Conductors | F Minor | 3 | 4A | 81 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| Symphony #1 - 3rd Movement | Various World Reknowed Orchestras And Conductors | G Minor | 1 | 6A | 80 BPM | ||
| Don Quixote, Act III: Dream of Don Quixote | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM |