Emily Wells's 'Misconceptions on Forever' had a release date set for March 22, 2019. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "This World Is Too _____ for You". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Misconceptions on Forever's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Misconceptions on Forever by Emily Wells having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Louder I Call, the Faster It Runs - Acoustic | Wye Oak | C Major | 6 | 8B | 198 BPM | ||
| Future Boy | Rachel Brashear | G Major | 2 | 9B | 69 BPM | ||
| La lluvia cae | Rainz vinilo | E Minor | 4 | 9A | 178 BPM | ||
| Stability | Paulis Montanders | B♭ Minor | 2 | 3A | 128 BPM | ||
| 10 000 Voices | EERA | A Minor | 3 | 8A | 61 BPM | ||
| stranger's car | Lyla George | B♭ Minor | 2 | 3A | 128 BPM | ||
| Wild Goose Chase | Dark Dark Dark | F Major | 1 | 7B | 132 BPM | ||
| Dreamers Like Me | Arum Rae | G Minor | 1 | 6A | 142 BPM | ||
| New York | Ex:Re | G Major | 3 | 9B | 77 BPM | ||
| Come on Doom, Let’s Party | Emily Wells | E Minor | 2 | 9A | 90 BPM | ||
| Coyote | She Keeps Bees | E Major | 4 | 12B | 137 BPM | ||
| Mi Habitacion | Ari Vellora | B♭ Minor | 2 | 3A | 128 BPM | ||
| Virgil's Flowers | Vera Sola | F♯ Minor | 0 | 11A | 62 BPM | ||
| Drive | Marissa Nadler | F♯ Minor | 2 | 11A | 77 BPM | ||
| Moulding | Emily Jane White | E Major | 4 | 12B | 85 BPM | ||
| Debris | Keeley Forsyth | D♭ Major | 1 | 3B | 71 BPM | ||
| Domestication | Laura Gibson | C Minor | 5 | 5A | 123 BPM | ||
| Solace | HOPE | A♭ Minor | 3 | 1A | 88 BPM | ||
| Better Now | Barbro | B♭ Minor | 2 | 3A | 128 BPM | ||
| Skin Warming Skin | Laura Gibson | B Major | 2 | 1B | 114 BPM | ||
| This Is My Hand | My Brightest Diamond | D Major | 2 | 10B | 116 BPM | ||
| Holding out (Demo) | Anna Ash | D Major | 1 | 10B | 97 BPM | ||
| Don't Use Me Up | Emily Wells | A♭ Major | 2 | 4B | 110 BPM | ||
| Daydreaming | Dark Dark Dark | E♭ Major | 3 | 5B | 140 BPM | ||
| Counting down to... (prelude) | Emily Steed | F♯ Minor | 4 | 11A | 117 BPM |