Frances Black's 'Precious Lines' had a release date set for 2003. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Frances Black's "How High the Moon" album is number 10 out of 12. In terms of popularity, Precious Lines is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Precious Lines by Frances Black to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Contender | Tommy Fleming | A♭ Major | 2 | 4B | 146 BPM | ||
| Sweet October | Aoife Scott | B Major | 1 | 1B | 136 BPM | ||
| Found Out By Fate | Eleanor McEvoy | B♭ Major | 4 | 6B | 130 BPM | ||
| Listen, Listen | Méav | C Major | 4 | 8B | 76 BPM | ||
| After the Ball | Arcady | D Major | 1 | 10B | 83 BPM | ||
| Cavan Girl | Barleycorn | E Major | 2 | 12B | 101 BPM | ||
| Don't Give Up Till It's Over | Johnny Duhan | G Major | 4 | 9B | 120 BPM | ||
| The Water Is Wide | Niamh Parsons | D Major | 1 | 10B | 109 BPM | ||
| Telling Me Lies | Dolores Keane | A Major | 3 | 11B | 114 BPM | ||
| Buachaillín Donn | Eleanor Shanley | C Major | 3 | 8B | 108 BPM | ||
| Ashokan Farewell | Aly Bain, Jay Ungar | D Major | 3 | 10B | 84 BPM | ||
| All Along the Wild Atlantic Way | Aoife Scott | A Major | 3 | 11B | 160 BPM | ||
| In the Wishing Well | Cathie Ryan | B♭ Major | 6 | 6B | 148 BPM | ||
| My Own Dear Galway Bay | Dolores Keane | F Major | 3 | 7B | 150 BPM | ||
| Lying in the Bed | Frances Black | G Minor | 3 | 6A | 122 BPM | ||
| The Town I Loved so Well | Onóir | B♭ Major | 2 | 6B | 92 BPM | ||
| A Woman's Heart | Eleanor McEvoy, Mary Black | B♭ Major | 3 | 6B | 132 BPM | ||
| Evangeline | Karen Matheson | D Major | 1 | 10B | 97 BPM | ||
| She's Lazy | Sinéad Lohan | B Major | 3 | 1B | 121 BPM | ||
| Diglake Fields | De Dannan | B♭ Major | 1 | 6B | 77 BPM | ||
| The Parting Glass | Tommy Fleming | B♭ Major | 1 | 6B | 78 BPM | ||
| Tae a Flyin' Mous' | Ian McIntyre | G Minor | 2 | 6A | 130 BPM | ||
| The Curragh of Kildare | The Johnstons | E♭ Major | 3 | 5B | 116 BPM | ||
| Meant to Be | Mary Fahl | F♯ Major | 1 | 2B | 138 BPM | ||
| Only Our Rivers Run Free | Onóir | D Major | 2 | 10B | 70 BPM |