On September 15, 1998, the song "Boogie'n With George" was released by George Smith. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Boogie'n With George's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Now You Can Talk About Me". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Boogie'n With George is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Boogie'n With George by George Smith having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| J'ai Rencontré Un Homme Borgne | Satsuma Elephants | D♭ Minor | 1 | 12A | 80 BPM | ||
| Baker Shop Boogie | Willie Nix | C Major | 6 | 8B | 142 BPM | ||
| Looking To The Future | William Clarke | A Major | 6 | 11B | 145 BPM | ||
| Every Night And Every Day | Magic Sam, Mighty Joe Young, Stockholm Slim, Earnest Johnson, Odie Payne, Jr. | F♯ Major | 3 | 2B | 201 BPM | ||
| Fine Little Angel (Take 1) | Lafayette Leake | F Major | 5 | 7B | 112 BPM | ||
| I Would Not Do the Same Things to You | Christian Rannenberg | C Major | 3 | 8B | 145 BPM | ||
| Chicago Bound - Single Version | Jimmy Rogers | A Major | 6 | 11B | 167 BPM | ||
| Hey Little Lee | Slim Harpo | F♯ Major | 6 | 2B | 97 BPM | ||
| Papa Ain’t Salty | Yates McKendree | D♭ Major | 7 | 3B | 85 BPM | ||
| Denver Blues | Tampa Red | C Major | 2 | 8B | 84 BPM | ||
| Born Blind | Sonny Boy Williamson II | B♭ Major | 5 | 6B | 103 BPM | ||
| Baby, No, No! | Big Memphis Ma Rainey | G Major | 4 | 9B | 110 BPM | ||
| Groove - Take 1 | Hubert Sumlin | B Minor | 4 | 10A | 165 BPM | ||
| The Upsetter | Rod Piazza | B Minor | 7 | 10A | 97 BPM | ||
| First Take And Blue | Lloyd Glenn, Clarence "Gatemouth" Brown | F Major | 3 | 7B | 144 BPM | ||
| Dyin' Flu | Albert Collins | G Major | 1 | 9B | 100 BPM | ||
| Voodoo Music | J.B. Lenoir | B Major | 4 | 1B | 67 BPM | ||
| Blue Guitar | Earl Hooker | A Major | 4 | 11B | 82 BPM | ||
| I Wanna Be Loved - 1964 Version | Jimmy Reed | A Major | 6 | 11B | 117 BPM | ||
| Ridin with Ronnie | Ronnie Earl | E Major | 2 | 12B | 181 BPM | ||
| Gary Stomp | John Brim | F Major | 5 | 7B | 141 BPM | ||
| Luedella | Jimmy Rogers | A Major | 4 | 11B | 114 BPM | ||
| Oke-She-Moke-She-Pop | Big Joe Turner | C Major | 7 | 8B | 103 BPM | ||
| Sloppy Drunk - Single Version | Jimmy Rogers | F♯ Minor | 8 | 11A | 206 BPM | ||
| The Work Song | William Clarke | D Minor | 4 | 7A | 124 BPM |