Sam Riney's ' "Black Coffee" was released on its scheduled release date, July 1, 1988. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sam Riney's "Lay it On the Line" album is number 6 out of 8. In terms of popularity, Black Coffee is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Black Coffee by Sam Riney to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love's Taken Over | Nate Harasim, Jason Rahn, Jay Soto | E Minor | 8 | 9A | 172 BPM | ||
| Lay It on the Line | Sam Riney | C Major | 7 | 8B | 113 BPM | ||
| Paula | Torcuato Mariano | A Major | 7 | 11B | 144 BPM | ||
| Serenity | Steve Cole | G Major | 7 | 9B | 172 BPM | ||
| Show Me Another Way | Gabriel Mark Hasselbach | A♭ Major | 6 | 4B | 168 BPM | ||
| Missing in Venice | Rick Braun | G Minor | 7 | 6A | 168 BPM | ||
| Una Mas | Jessy J | D Minor | 7 | 7A | 90 BPM | ||
| Give It Up | 3rd Force | B♭ Major | 8 | 6B | 166 BPM | ||
| When Love Comes Around | Braxton Brothers | F Minor | 3 | 4A | 114 BPM | ||
| The Doctor | Fattburger | C Minor | 5 | 5A | 129 BPM | ||
| Getting Close | Dan Siegel | D♭ Major | 6 | 3B | 89 BPM | ||
| The End of the Beginning | Jerry Kalaf, Barry Coates, Sam Riney | A Major | 0 | 11B | 90 BPM | ||
| Eye 2 Eye | Najee | D Minor | 8 | 7A | 90 BPM | ||
| Sweet Surrender | 3rd Force | C Major | 6 | 8B | 88 BPM | ||
| Keep Pushing | Jeffery Smith | C Major | 5 | 8B | 94 BPM | ||
| Between the Lines | Dan Siegel | C Minor | 4 | 5A | 123 BPM | ||
| Little Dream Girl | Nelson Rangell | D Minor | 6 | 7A | 88 BPM | ||
| Friday Night | Jonathan Fritzén | A Minor | 8 | 8A | 134 BPM | ||
| Kissed By the Sun | Gabriel Mark Hasselbach | G Major | 6 | 9B | 96 BPM | ||
| She Loves the Water | Cal Harris Jr. | G Major | 8 | 9B | 93 BPM | ||
| Point Venus | Jeff Lorber | D Minor | 8 | 7A | 96 BPM | ||
| Summer In Blue | Michael Broening | F Minor | 7 | 4A | 100 BPM | ||
| Uptown Philly | Gail Jhonson, Mike Parlett | F Minor | 7 | 4A | 113 BPM | ||
| A Little Longer | Threestyle | E♭ Major | 5 | 5B | 88 BPM | ||
| After Sunset | Joe McBride | G Major | 5 | 9B | 88 BPM |