"Not All Lost" by Edward Blumenthal, David Christiansen, Peter Pejtsik, Hungarian Film Orchestra had its release date on March 31, 2017. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Orchestral Emotions - Aspects of Love". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Not All Lost is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Not All Lost by Edward Blumenthal, David Christiansen, Peter Pejtsik, Hungarian Film Orchestra having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Control De La Mente | Las Eternas | E♭ Minor | 1 | 2A | 96 BPM | ||
| White Night | Ludovico Einaudi, Czech National Symphony Orchestra | E Major | 0 | 12B | 88 BPM | ||
| Creep | Julian Fayman | B♭ Major | 1 | 6B | 81 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| Helen Falls | Natalie Holt, Andreas Gutuen Aaser | C Major | 1 | 8B | 138 BPM | ||
| Themes from "Chocolat" | Rachel Portman, Esther Abrami, Iyad Sughayer, Vienna Radio Symphony Orchestra | D♭ Major | 5 | 3B | 120 BPM | ||
| Jo Writes | Alexandre Desplat | F Major | 2 | 7B | 89 BPM | ||
| Autumn Embrace | Sergey Yenanov, Melodrama | B Minor | 1 | 10A | 70 BPM | ||
| Coronation | John Lunn | F Minor | 2 | 4A | 82 BPM | ||
| 別離 | Taisei Iwasaki | E♭ Major | 3 | 5B | 95 BPM | ||
| We Are Back | Jeff Russo | B♭ Major | 1 | 6B | 81 BPM | ||
| Absent | Lucas King | D♭ Minor | 0 | 12A | 114 BPM | ||
| Commuters' Waltz | Todd Baker | A Minor | 1 | 8A | 148 BPM | ||
| Nice to Meet You Diary | Kostas Christides | G Major | 0 | 9B | 175 BPM | ||
| 次元の狭間 | Yasunori Mitsuda, Millennial Fair | D Major | 2 | 10B | 72 BPM | ||
| Gleam And Sparkle - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 79 BPM | ||
| The King | David García Díaz | E Minor | 1 | 9A | 134 BPM | ||
| Elegant Classical Strings | Rafael Krux | D Minor | 4 | 7A | 110 BPM | ||
| Be Home Soon | Edward Blumenthal, David Christiansen, Peter Pejtsik, Hungarian Film Orchestra | D♭ Major | 3 | 3B | 72 BPM | ||
| A Journey | Tamiya Terashima | B Minor | 2 | 10A | 105 BPM | ||
| Fading Memories | Pakk Hui | D♭ Minor | 1 | 12A | 140 BPM | ||
| Angel | Brian Tyler, Breton Vivian | G Minor | 3 | 6A | 155 BPM | ||
| Song for the Beyond | Evan Call | A Major | 2 | 11B | 96 BPM | ||
| Music Box | Danny Elfman | B♭ Minor | 1 | 3A | 109 BPM | ||
| Godric´s Hollow Graveyard (From "Harry Potter and the Deathly Hallows, Pt.1") | Celtic Traveler | F Major | 2 | 7B | 81 BPM |