Mohammed Rafi's ' "Kal Raat Zindagi Se Mulaqat Ho Gayi" was released on its scheduled release date, December 1, 1966. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Palki (Original Motion Picture Soundtrack)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Based on our statistics, Kal Raat Zindagi Se Mulaqat Ho Gayi's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Kal Raat Zindagi Se Mulaqat Ho Gayi by Mohammed Rafi having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dil Jab Se Toot Gaya (From "Salaami") | Pankaj Udhas | G Minor | 6 | 6A | 99 BPM | ||
| O Gaadiwale | Shamshad Begum, Mohammed Rafi | D Major | 2 | 10B | 108 BPM | ||
| Tujhe Pyar Karte Hain | Suman Kalyanpur, Mohammed Rafi | F Major | 5 | 7B | 100 BPM | ||
| Main Pal Do Pal Ka Shair Hoon | Mukesh | E Major | 3 | 12B | 124 BPM | ||
| Tumne Pukara Aur Hum Chale Aaye | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 94 BPM | ||
| Tum Mujhe Bhool Bhi Jao (From "Didi") | Sudha Malhotra, Mukesh | E♭ Major | 2 | 5B | 86 BPM | ||
| Ankhiyon Ke Jharokhon Se | Hemlata, Ravindra Jain | C Minor | 5 | 5A | 165 BPM | ||
| Teri Bindiya Re (From "Abhimaan") | Lata Mangeshkar, Mohammed Rafi | C Major | 4 | 8B | 93 BPM | ||
| Bahon Mein Chale Aao (From "Anamika") | Tabassum, Lata Mangeshkar | F♯ Major | 3 | 2B | 73 BPM | ||
| O Meri Mehbooba Mehbooba Mehbooba - From "Dharam Veer" | Mohammed Rafi | D♭ Major | 9 | 3B | 134 BPM | ||
| Milte Hi Ankhen Dil Hua Diwana | Shamshad Begum, Talat Mahmood | A Minor | 5 | 8A | 97 BPM | ||
| Surmai Shaam | Suresh Wadkar, Gulzar | D Major | 3 | 10B | 148 BPM | ||
| Titli Udi Ud Jo Chali | Sharada, Shailendra | F♯ Minor | 8 | 11A | 127 BPM | ||
| Tumse Achchha Kaun Hai | Mohammed Rafi | A Minor | 6 | 8A | 159 BPM | ||
| Hai Apna Dil To Aawara (Happy) | Hemant Kumar | F♯ Major | 5 | 2B | 110 BPM | ||
| Na Na Karte Pyar Tumhin Se | Suman Kalyanpur, Mohammed Rafi | F♯ Major | 6 | 2B | 198 BPM | ||
| Agar Teri Jalwa Numai Na Hoti | Suman Kalyanpur, Mohammed Rafi | A♭ Major | 4 | 4B | 77 BPM | ||
| Tum Itna Jo Muskura Rahe Ho (Live) | Jagjit Singh | E Major | 3 | 12B | 174 BPM | ||
| Mere Rang Mein Rangne Wali | S. P. Balasubrahmanyam | G Minor | 3 | 6A | 118 BPM | ||
| Jab Jab Apna Mel Hua | Sulakshana Pandit, Mohammed Rafi | D Major | 5 | 10B | 82 BPM | ||
| Sham-E-Gham Ki Qasam | Talat Mahmood | F Major | 1 | 7B | 116 BPM | ||
| Aise Na Mujhe - From "Darling Darling" | Kishore Kumar, R. D. Burman | F Minor | 7 | 4A | 169 BPM | ||
| Kya Hua Tera Vada | Sushma Shrestha, Mohammed Rafi, R. D. Burman | F Major | 6 | 7B | 99 BPM | ||
| Zindagi Kaisi Hai Paheli | Manna Dey | C Major | 6 | 8B | 98 BPM | ||
| Mere Mehboob Qayamat Hogi, Pt. 1 (From "Mr. X in Bombay") | Kishore Kumar | A♭ Major | 4 | 4B | 98 BPM |