L'Oiseau de feu: Introduction - 1910 version by Igor Stravinsky, Columbia Symphony Orchestra Song Details

"L'Oiseau de feu: Introduction - 1910 version" by Igor Stravinsky, Columbia Symphony Orchestra had its release date on 1948. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. L'Oiseau de feu: Introduction - 1910 version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 148 in the song's album "The Original Jacket Collection: Stravinsky Conducts Stravinsky - The Classic LP Recordings". In this album, this song's track order is #1. In terms of popularity, L'Oiseau de feu: Introduction - 1910 version is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With L'Oiseau de feu: Introduction - 1910 version by Igor Stravinsky, Columbia Symphony Orchestra having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -41.06 dB
Acousticness: 95%
Danceability: 19%
Energy: 1%
Instrumentalness: 95%
Liveness: 11%
Loudness: 32%
Speechiness: 4%
Valence: 3%

Recommendations

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L'Arlésienne Suite No.2: Pastorale	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	80 BPM
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Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	E Minor	1	9A	125 BPM
Scheherazade, Op. 35: IV. Festival at Baghdad – The Sea – Shipwreck. Allegro molto	Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	C Major	3	8B	79 BPM
Roman Festivals: IV. La Befana	Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert	G Major	0	9B	127 BPM
Tragic Overture, Op. 81	Johannes Brahms, Berliner Philharmoniker, Claudio Abbado	D Minor	1	7A	85 BPM
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	B♭ Minor	1	3A	86 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	87 BPM
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Prélude à l'après-midi d'un faune, L. 86	Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan	A♭ Minor	0	1A	84 BPM
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	A♭ Major	0	4B	87 BPM
Symphonic Dances, Op. 64: III. Allegro giocoso	Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner	A Major	1	11B	172 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIa. Catacombae "Sepulcrum romanum"	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	B Minor	0	10A	67 BPM
Copland: Symphony No. 3: I. Molto moderato, with simple expression	Aaron Copland, San Francisco Symphony, Michael Tilson Thomas	A Major	1	11B	82 BPM
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