Anne Murray's ' "Born To Be With You" was released on its scheduled release date, January 1, 1993. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Born To Be With You's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 18 in Croonin' by Anne Murray. Born To Be With You is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Born To Be With You by Anne Murray is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Can't Help Falling In Love With You | Anne Murray | G Major | 3 | 9B | 102 BPM | ||
| You Made Me Live Again | Janet Basco | D Major | 3 | 10B | 65 BPM | ||
| I'd Rather Leave While I'm In Love | Rita Coolidge | A♭ Major | 6 | 4B | 132 BPM | ||
| Let's Keep It That Way - 2025 Remaster | Anne Murray | G Major | 4 | 9B | 136 BPM | ||
| The Wedding | Julie Rogers | A♭ Major | 4 | 4B | 97 BPM | ||
| It's Sad to Belong - Single Version | England Dan & John Ford Coley | E♭ Major | 3 | 5B | 136 BPM | ||
| King and Queen of Hearts | David Pomeranz | D♭ Minor | 3 | 12A | 76 BPM | ||
| Every Time You Smile | Melody in Sepia | C Major | 3 | 8B | 147 BPM | ||
| If You Remember Me | Chris Thompson | G Minor | 8 | 6A | 138 BPM | ||
| The Long and Winding Road | Maureen McGovern | F Major | 1 | 7B | 74 BPM | ||
| You Don't Know Me | Anne Murray | F Major | 3 | 7B | 67 BPM | ||
| Could've Been | Tiffany | D♭ Major | 2 | 3B | 99 BPM | ||
| You're the Inspiration | Peter Cetera | D♭ Major | 5 | 3B | 106 BPM | ||
| You And I | Eddie Rabbitt, Crystal Gayle | F Major | 3 | 7B | 164 BPM | ||
| Key Largo | Bertie Higgins | A Minor | 9 | 8A | 151 BPM | ||
| And I Love You So | Don McLean | B Major | 1 | 1B | 90 BPM | ||
| You Are the Love of My Life | George Benson, Roberta Flack | E Major | 4 | 12B | 128 BPM | ||
| If You Leave Me Now | Peter Cetera | E Minor | 6 | 9A | 201 BPM | ||
| When I'm Gone | Albert Hammond | D Major | 5 | 10B | 112 BPM | ||
| The Way I Want To Touch You | Captain & Tennille | C Minor | 4 | 5A | 111 BPM | ||
| You're Always on My Mind | Gallery | D Major | 2 | 10B | 83 BPM | ||
| Shadows In The Moonlight | Anne Murray | C Major | 6 | 8B | 105 BPM | ||
| No More Rhyme | Debbie Gibson | A Major | 4 | 11B | 74 BPM | ||
| I Don't Have the Heart | James Ingram | D Major | 4 | 10B | 89 BPM | ||
| Somewhere In My Broken Heart | Billy Dean | C Major | 2 | 8B | 143 BPM |