Cheryl Frances-Hoad, Yshani Perinpanayagam's 'Game On: I. Nash' had a release date set for November 12, 2020. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 17 in Cheryl Frances-Hoad: The Whole Earth Dances by Cheryl Frances-Hoad, Various Artists. Based on our statistics, Game On: I. Nash's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Game On: I. Nash by Cheryl Frances-Hoad, Yshani Perinpanayagam is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 1/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem: Requiem aeternam I | Herbert Howells, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 80 BPM | ||
| Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 124 BPM | ||
| Prelude in C Minor, F. 29 (Transcr. for Harp) | Wilhelm Friedemann Bach, Magdalena Hoffmann | A Minor | 1 | 8A | 112 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | ||
| Composizioni per Organo e Cembalo: Intonazione cromatica del terzo tono | Tarquinio Merula, Bernard Foccroulle | E♭ Minor | 1 | 2A | 90 BPM | ||
| Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
| Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Poem for String Quartet | Rebecca Clarke, Barbican Quartet | F Major | 1 | 7B | 81 BPM | ||
| Vattendroppar, JS 216 | Maja Bogdanovic, Daniel Rowland | B♭ Major | 1 | 6B | 175 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Something More than Mortal | Cheryl Frances-Hoad, Carolyn Sampson, Joseph Middleton | G Minor | 1 | 6A | 78 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | ||
| Lohdutus, Op. 32: Nro. 1, Consolation | Taneli Kuusisto, SRK Musiikki | A Minor | 0 | 8A | 82 BPM | ||
| Stolen Rhythm | Cheryl Frances-Hoad, Ivana Gavrić | E Minor | 0 | 9A | 60 BPM | ||
| Color Field: I. Yellow | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Theme - | Franz Schubert, vision string quartet | G Minor | 0 | 6A | 131 BPM | ||
| Le Tombeau des seventies: II. Néo-Menuet 1770 | Guillaume Connesson, Stradivaria, Guillaume Cuiller | F Major | 1 | 7B | 81 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1, Hymn to the Dawn | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | G Major | 0 | 9B | 79 BPM | ||
| Piano Trio in G: IV. Finale (Appassionato) | Claude Debussy, Trio Parnassus | E Minor | 0 | 9A | 177 BPM | ||
| Debussy: 6 Épigraphes antiques, CD 139, L. 131: No. 1, Pour invoquer Pan, dieu du vent d'été (Arr. Paillard for String Orchestra) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 2 | 7A | 178 BPM | ||
| Da pacem, Domine | Chloe May Evans, Ǣfendrēama | D♭ Major | 1 | 3B | 104 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 4, Hymn of the Travellers | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | D Major | 2 | 10B | 94 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM |