"Orbital Mass" by Robert Ruth had its release date on November 7, 2014. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Nailed". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Orbital Mass's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Orbital Mass by Robert Ruth having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Light in the Darkness | Masahiro Aoki | B Minor | 6 | 10A | 105 BPM | ||
| PLAYING WITH FIRE | AZALI | D♭ Major | 9 | 3B | 105 BPM | ||
| Welcome to Wasteland | Robert Ruth | D♭ Major | 8 | 3B | 134 BPM | ||
| Hairy Backdraft | A Shell In The Pit | B♭ Minor | 10 | 3A | 130 BPM | ||
| Yujin, The Gruff Medic - Yujin Theme | Stephen Barton | B♭ Minor | 9 | 3A | 120 BPM | ||
| Nevertheless She Persisted | Bonnie Grace | G Major | 6 | 9B | 139 BPM | ||
| There Is No Sequel | Philip Ayers | G Minor | 4 | 6A | 120 BPM | ||
| Fortress Basement | Experia | D♭ Major | 8 | 3B | 91 BPM | ||
| Hero | Low | B Minor | 9 | 10A | 120 BPM | ||
| Splash | Jeremy Sahl, Justin Sahl | D♭ Major | 4 | 3B | 170 BPM | ||
| Smooth Transgression | Truvio | F Minor | 9 | 4A | 122 BPM | ||
| End of Days | Dream Cave | D♭ Minor | 8 | 12A | 102 BPM | ||
| The Final Round | Kaptain, Stéphane Schott | F Major | 9 | 7B | 172 BPM | ||
| Spying on the Neighbours | The Fly Guy Five | B♭ Major | 5 | 6B | 80 BPM | ||
| Triple Fault | Robert Ruth | G Major | 9 | 9B | 110 BPM | ||
| Critical Thinking | Philip Ayers | D Major | 5 | 10B | 100 BPM | ||
| The Mole | Christoffer Moe Ditlevsen | F♯ Minor | 2 | 11A | 75 BPM | ||
| Arrival | Edgar Hopp | C Minor | 5 | 5A | 89 BPM | ||
| shattered reflections | Rareblin | D♭ Major | 8 | 3B | 160 BPM | ||
| War of Worlds | Jon Björk | B♭ Major | 7 | 6B | 146 BPM | ||
| Shock Blow | Robert Ruth | B Major | 7 | 1B | 98 BPM | ||
| Gladiator Arena | Max Anson | A Minor | 3 | 8A | 115 BPM | ||
| The Determination | Anna Dager, Hanna Ekström | G Minor | 3 | 6A | 136 BPM | ||
| Cold War Games | Gabriel Lewis | D♭ Minor | 6 | 12A | 100 BPM | ||
| The Red Line | Christoffer Moe Ditlevsen | C Major | 4 | 8B | 110 BPM |