"Inori - William Basinski Rework" by Hatis Noit, William Basinski had its release date on September 26, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 8 in Aura Reworks by Hatis Noit. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Inori - William Basinski Rework is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Inori - William Basinski Rework by Hatis Noit, William Basinski is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meridian | Lyra Pramuk | E♭ Minor | 4 | 2A | 135 BPM | ||
| Photograph | Keeley Forsyth | B♭ Major | 1 | 6B | 134 BPM | ||
| Deep Violet of Gold | Shida Shahabi | D Minor | 2 | 7A | 86 BPM | ||
| Dream Dialogue | Brecht Ameel | A♭ Major | 2 | 4B | 172 BPM | ||
| Bring Me Water | Keeley Forsyth | B Minor | 1 | 10A | 76 BPM | ||
| All In Circles | Shida Shahabi | A♭ Major | 1 | 4B | 146 BPM | ||
| Puppets | Penelope Trappes | E Minor | 2 | 9A | 142 BPM | ||
| Nocturne | Kety Fusco | E Major | 6 | 12B | 120 BPM | ||
| I: The Bold Fisherman | Shovel Dance Collective | C Major | 3 | 8B | 131 BPM | ||
| Sea Ear | Shida Shahabi | C Major | 0 | 8B | 87 BPM | ||
| The Good Times Are Coming | The Age Of Earthquakes | F Minor | 5 | 4A | 100 BPM | ||
| Tecum | Shida Shahabi | F Major | 2 | 7B | 176 BPM | ||
| Soundwalking Across the Hemispheres; Frog Chorus, Cricket Choir | Patricia Wolf, Alexandra Spence | E Minor | 4 | 9A | 64 BPM | ||
| How Conchobor was Begotten | Milkweed | F♯ Major | 5 | 2B | 122 BPM | ||
| The Whole | Hekla | E Major | 4 | 12B | 111 BPM | ||
| A Queer Anthology of Drums | Valentina Magaletti | C Major | 2 | 8B | 113 BPM | ||
| Habadash | V/Z, Valentina Magaletti, Zongamin, Cathy Lucas | G Major | 9 | 9B | 124 BPM | ||
| Aura - Laraaji Rework | Hatis Noit, Laraaji | E♭ Major | 3 | 5B | 104 BPM | ||
| White Flag | Jelena Ciric, Snorri Hallgrímsson, Cécile Lacharme, Oliver Patrice Weder | G Major | 3 | 9B | 138 BPM | ||
| We Walked all the Way to the Lake and The Water Was So Still We Jumped in Naked | Dylan Henner | D♭ Major | 1 | 3B | 74 BPM | ||
| Placelessness 2.1 | Chris Abrahams, Oren Ambarchi, Robbie Avenaim | A Major | 3 | 11B | 110 BPM | ||
| A Journey | Hinako Omori | C Minor | 5 | 5A | 109 BPM | ||
| miu | Marina Herlop | C Minor | 3 | 5A | 84 BPM | ||
| Etterbeek | Dictaphone | E Minor | 3 | 9A | 144 BPM | ||
| La Alhambra | Marina Herlop | B♭ Minor | 4 | 3A | 73 BPM |