On January 1, 2025, the song "Saare Jahan Ke Malik" was released by Ritesh Mishra. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Saare Jahan Ke Malik only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Saare Jahan Ke Malik is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Saare Jahan Ke Malik by Ritesh Mishra having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Man Re Hari Bhaji | Susmita Das | C Major | 6 | 8B | 149 BPM | ||
| Maa Katyayani Aarti | Avijit Das | G Major | 6 | 9B | 148 BPM | ||
| Ram Ram Siya Ram Bhajale | Sarvesh Mishra | E Minor | 7 | 9A | 100 BPM | ||
| Radhey Govinda Gopala Jaya Govinda Radhey Gopala | Sri Sathya Sai Bhajans | G Minor | 3 | 6A | 74 BPM | ||
| Kirpa Ki Na Hoti Jo Adat Tumhari | Devendra Pathak | E♭ Minor | 4 | 2A | 132 BPM | ||
| Om Jai Jagtaran - Aarti | Nangli Darbar | A♭ Major | 5 | 4B | 114 BPM | ||
| Naam Dhun Sita Ram Sita Ram | Shri Rajendra Das Ji Maharaj Malook Peeth | A♭ Minor | 9 | 1A | 80 BPM | ||
| Jai Jai Ramji Ki Bol | Shahid Mallya | E Major | 4 | 12B | 75 BPM | ||
| Apne Sine Dayalu Abhishek Nama | Abhishek Nama | A Major | 6 | 11B | 210 BPM | ||
| Kalikaal Mein Bas Ek Naam | Anjali Jain | F♯ Major | 8 | 2B | 149 BPM | ||
| Kuch Toh Kaho Kishori | Devi Chitralekhaji | A Major | 7 | 11B | 126 BPM | ||
| Kaalbhairav Ashtakam | Ritesh Mishra | A Major | 2 | 11B | 79 BPM | ||
| Kanhaiya Tumhe Ek Najar Dekhna Hai | Roshni Pandey | A Minor | 8 | 8A | 140 BPM | ||
| Ganesh Ji Ki Aarti | Pankaj Nagia | F♯ Major | 6 | 2B | 132 BPM | ||
| Jumdev Jumdev | Satish | A Major | 8 | 11B | 104 BPM | ||
| Nahi Chaiye Dil Dukhana Kisi Ka | Ritesh Mishra, Nitesh Ranjan | A♭ Major | 6 | 4B | 132 BPM | ||
| Ram Ram Ram Paramasumangala Ram Ram Ram | Sri Sathya Sai Bhajans | B♭ Major | 7 | 6B | 119 BPM | ||
| Sona Rupa Ka Ghada (Jhalariya) | Vaishali Sen, Motha Kharte | G Major | 5 | 9B | 190 BPM | ||
| Ram Naam Bhajo Re | Rakesh Kala | A Major | 7 | 11B | 124 BPM | ||
| Darshan Pyasi Bai Sugna - Original | Navratansinh Raval, Kushal Barath | F Minor | 9 | 4A | 83 BPM | ||
| Hanuman Ji Ki Aarti | Baal Kishan Bunty, Maanya Arora, Dhvani Arora | F♯ Major | 7 | 2B | 96 BPM | ||
| Maa Ke Naam Ki Sanjivani | Shahnaz Akhtar | C Major | 4 | 8B | 170 BPM | ||
| Jai Jai Narayan | Pawan Godiyal, Kavita Godiyal | F♯ Major | 7 | 2B | 100 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Mere Tan Me Bhi Ram Mere Man Me Bhi Ram | Shikha Rana | B Major | 5 | 1B | 84 BPM |