On October 5, 2010, the song "Bole Bole Khodiyarma" was released by Vanita Barot, Rajdeep Barot. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Bole Bole Khodiyarma and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Bole Bole Khodiyarma is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bole Bole Khodiyarma by Vanita Barot, Rajdeep Barot is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Timli Dhamaka Part 3 | Rajal Barot, Bharat Pagi | B Major | 7 | 1B | 119 BPM | ||
| Darshan Se Pap Harile Tharo Pani Devi Narbada Mata Ho | Ashwin Yadav | D♭ Minor | 8 | 12A | 83 BPM | ||
| Marvad Deshna Maharaja | Rajan Kapra | B Minor | 8 | 10A | 199 BPM | ||
| Dj Gori Tu Kem Na Aavi | Nitin Barot, Kavita Das | D♭ Major | 10 | 3B | 103 BPM | ||
| Rang Badalay Em Badalati Na | Pankaj Mistry | E♭ Minor | 6 | 2A | 142 BPM | ||
| Yugon Yugon Tak Devnandi Gurudev | Roopesh Jain, Ankur Jain Ank | A Minor | 9 | 8A | 98 BPM | ||
| Bish Khawaiya Mayrala | Emon Khan | B Minor | 9 | 10A | 190 BPM | ||
| Bhajan Ek Satya Nam Nu Kariye | Kiran Prajapati | F♯ Major | 6 | 2B | 204 BPM | ||
| Roto Mane Ekalo Meli Gai Mari Jaan | Jignesh Barot | B♭ Major | 10 | 6B | 210 BPM | ||
| Avo Navlakh Nejadi Maa | Milan Kakadiya | F Major | 9 | 7B | 119 BPM | ||
| Sajni Bhulagi Man | Anil Chavhan | F♯ Major | 9 | 2B | 79 BPM | ||
| Khodiyar Maa Ni Aarti | Alpa Patel | E♭ Minor | 4 | 2A | 140 BPM | ||
| Meladi Ma Parchadi | Jayesh Barot, Mahalaxmi Iayar, Vikram Thakor, Sadhana Sargam, Nisha Barot | G Major | 9 | 9B | 145 BPM | ||
| Bewafai | Dhaval Kapadia, Umesh Barot | D♭ Minor | 9 | 12A | 199 BPM | ||
| Chorima Besela Che Tara Mangamta | Rajni Dabhi | F♯ Major | 9 | 2B | 98 BPM | ||
| Tashya Kadadala | Sanjay Sawant | E♭ Minor | 9 | 2A | 84 BPM | ||
| Parna Bandhave Romsha | Rajan Kapra | E♭ Major | 8 | 5B | 133 BPM | ||
| Hu Re Bhalo Bhalu Maru Re Kam | Jignesh Kaviraj | A Major | 9 | 11B | 123 BPM | ||
| Aankh Radi Na Sake | Shital Thakor, Ajay Vagheshwari, Rajvinder singh | F Minor | 9 | 4A | 117 BPM | ||
| Mane Yaad Aave Pehli Mulakat | Ashvin Mevada | C Minor | 9 | 5A | 177 BPM | ||
| Madi tara ucha mandir nicha mol | Rushabh Ahir, Santvani Trivedi | D♭ Major | 7 | 3B | 156 BPM | ||
| So So Bandhukiya | Motibhai Bharwad | F Major | 9 | 7B | 90 BPM | ||
| Prem Vijogan Tari Yaadma | Rajdeep Barot, Vanita Barot | G Major | 6 | 9B | 102 BPM | ||
| Kano Charave Vanravanma Gayo | Kaushik Bharwad | A Minor | 9 | 8A | 99 BPM | ||
| Five Star Kanudo 2 | Kaushik Bharwad | A♭ Minor | 10 | 1A | 110 BPM |