Ophelia Wilde's 'the day we met' had a release date set for November 10, 2023. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 12 in a concert for my soulmate by Ophelia Wilde. the day we met is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of the day we met by Ophelia Wilde is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Day Before | Edward Cross | B♭ Major | 1 | 6B | 70 BPM | ||
| Nocturne Op. posth: No. 21 in C Minor | Frédéric Chopin, Minoire | G Minor | 1 | 6A | 139 BPM | ||
| We'll Meet at Derby | Alstad, Lydia Munchinsky | G Major | 1 | 9B | 124 BPM | ||
| False Peak | Jesse Brown | D Minor | 2 | 7A | 74 BPM | ||
| Marietta | Isaac Nash | B♭ Major | 0 | 6B | 165 BPM | ||
| Azulejo | Robert Gromotka | A♭ Major | 2 | 4B | 125 BPM | ||
| Glas | Elias Kiefer | A Minor | 1 | 8A | 128 BPM | ||
| Candlelight | Lysander | D Minor | 0 | 7A | 71 BPM | ||
| when the world stopped turning | Martin Biesecke | C Major | 1 | 8B | 202 BPM | ||
| Links to the Past | Brackwhit | G Minor | 0 | 6A | 113 BPM | ||
| Newborn | Niklas Blumenthaler | G Major | 0 | 9B | 128 BPM | ||
| Nacht und Träume, D. 827 - Arr. for Piano and Cello by Cory Alstad and Ben Goheen | Franz Schubert, Ben Goheen, Cory Alstad, Ophelia Wilde | F♯ Major | 2 | 2B | 69 BPM | ||
| Tannhäuser, WWV 70: Song to the Evening Star - Arr. for Piano and Cello by Cory Alstad and Ben Goheen | Richard Wagner, Ben Goheen, Cory Alstad, Ophelia Wilde | G Minor | 1 | 6A | 139 BPM | ||
| Tiny Promise | Thomas Klak | E Major | 1 | 12B | 80 BPM | ||
| Winter's Blanket | Niklas Blumenthaler | D♭ Minor | 1 | 12A | 87 BPM | ||
| The Seagull | Alstad, Yana Chekina | C Minor | 1 | 5A | 96 BPM | ||
| moonlight waltz | Ophelia Wilde | C Minor | 3 | 5A | 81 BPM | ||
| Togetherless | Franz Gordon | A Minor | 0 | 8A | 68 BPM | ||
| Impromptu No 2: Hiraeth | Christopher Dicker | G Minor | 1 | 6A | 157 BPM | ||
| Waltzing The Moon | Jesse Brown | E♭ Major | 1 | 5B | 182 BPM | ||
| Fable | Cinthya Garcia | B♭ Minor | 0 | 3A | 67 BPM | ||
| Floating Leaves | Nicholas Bamberger | A Minor | 1 | 8A | 69 BPM | ||
| Ha Nevado en mi Habitación | Théodore | C Major | 1 | 8B | 81 BPM | ||
| Bookworm - Sped-up + Reverb | Piano House | B♭ Minor | 1 | 3A | 81 BPM | ||
| Wondrous | Yan Springett | D Minor | 1 | 7A | 136 BPM |