"Afterlife" by Martin Rott had its release date on January 10, 2024. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Afterlife's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Philipp Mickenbecker: Real Life (Original Motion Picture Soundtrack)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Afterlife is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Afterlife by Martin Rott having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paid Respects | BPMoore | C Major | 2 | 8B | 120 BPM | ||
| Pulsing - Edit | Zuzanna Całka | A♭ Major | 2 | 4B | 112 BPM | ||
| Wandering II | Eydís Evensen | G Minor | 2 | 6A | 81 BPM | ||
| Slow Collapse | Orisun Paths | E♭ Minor | 3 | 2A | 160 BPM | ||
| Shibuya | Martin Roth | D Minor | 2 | 7A | 110 BPM | ||
| Heavy | calderonrd | A♭ Major | 2 | 4B | 112 BPM | ||
| Slow Wonders | Uno Helmersson | F Major | 2 | 7B | 115 BPM | ||
| Finding | Runar Blesvik | D♭ Major | 0 | 3B | 106 BPM | ||
| The Beginning | Cedric Vermue | B Minor | 2 | 10A | 88 BPM | ||
| before forever | hide waldo, exhibit, Hikari | A♭ Major | 2 | 4B | 112 BPM | ||
| Where I am is where I wanted to be | Glückskind | F Minor | 6 | 4A | 102 BPM | ||
| Solar System | KAYUNA | A♭ Major | 2 | 4B | 163 BPM | ||
| Cinder | Mina Björnsdóttir, Laurent Denis | A♭ Major | 2 | 4B | 112 BPM | ||
| A100 | Robert Gromotka, Jonas Hain | A♭ Major | 2 | 4B | 112 BPM | ||
| Temple | Serene Mindtone | D♭ Major | 0 | 3B | 140 BPM | ||
| A Never Ending Story | Marius Nitzbon | E♭ Minor | 2 | 2A | 82 BPM | ||
| Fir forest | Mats Raynard | C Minor | 1 | 5A | 61 BPM | ||
| 34-46 | Mark Slater | F Major | 0 | 7B | 97 BPM | ||
| Páthē | Piotr Wiese | A Minor | 2 | 8A | 159 BPM | ||
| Ocarina of Time (Main Theme) - Piano | Javier H.G. Belze | C Major | 4 | 8B | 126 BPM | ||
| Wir müssen ihn aufhalten | Dynamedion, Martin Rott | G Minor | 2 | 6A | 159 BPM | ||
| The View | Lambert | F Minor | 1 | 4A | 80 BPM | ||
| Shadow River | Solari Venn | A♭ Minor | 4 | 1A | 97 BPM | ||
| The Dream of Life - Instrumental | Dr. Ew | C Major | 5 | 8B | 160 BPM | ||
| Crying in C Minor Nr. 2 | Paul Herfort | A♭ Major | 2 | 4B | 112 BPM |