R. S. Kumar's ' "Mana Panthasala" was released on its scheduled release date, February 6, 2017. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bikash, Subrat Routray's "Mana Panthasaalaa" album is number 1 out of 4. On top of that, India appears to be the country where this track was created. Based on our statistics, Mana Panthasala's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Mana Panthasala by R. S. Kumar to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aiela Re Jhuluru Bali | Bibhu Kishore, Navia | A♭ Minor | 9 | 1A | 79 BPM | ||
| In Swing Paka | SANGRAM MOHANTY, R. S. Kumar | B♭ Minor | 10 | 3A | 82 BPM | ||
| To Hrudaya Tale Mun Kinichi Jami Female | Pragyan Hota | E Major | 9 | 12B | 116 BPM | ||
| Gori Jhumuru Jhumuru Tora Pada Paunji (From "To Akhi Mo Aaina") | Sonu Nigam, Pamela Jain | A♭ Minor | 9 | 1A | 128 BPM | ||
| Sunara Chadheyi | Sonu Nigam, Kabita | G Major | 7 | 9B | 81 BPM | ||
| To Premare Jaichi Mun Haji | R. S. Kumar | A♭ Minor | 9 | 1A | 89 BPM | ||
| Eka Eka Lage Eka | Sabisesh, Ananya Sritam Nanda | D♭ Major | 7 | 3B | 105 BPM | ||
| Michhei Jhia Hai Michhei Jhia | SANGRAM MOHANTY, BISHNU MOHAN KABI, R. S. Kumar | E♭ Minor | 10 | 2A | 113 BPM | ||
| Kaha Kebe Sajibu Tu Mo Ghare Rani | BISHNU MOHAN KABI, Anatara Chakraborty | F♯ Minor | 8 | 11A | 92 BPM | ||
| Tame Jadi Gadhidia Mo Paain Balighara (From Samaya Kheluchi Chaka Bhaunri) | Abhijeet, Anuradha Paudwal | C Minor | 6 | 5A | 83 BPM | ||
| Mu Priyaku | Babul Supriyo | F Minor | 8 | 4A | 136 BPM | ||
| Sunday Re Setting | BISHNU MOHAN KABI, Suman | E Major | 9 | 12B | 138 BPM | ||
| Galare Lagi Gala | Sourin Bhatt, Nibedita | B♭ Minor | 10 | 3A | 157 BPM | ||
| Tori Pain To Pain | Swayam Padhi, Neha Niharika | F♯ Minor | 8 | 11A | 96 BPM | ||
| Dukha Sathe Mu | Udit Narayan, Era Mohanty | A♭ Minor | 8 | 1A | 93 BPM | ||
| Tame Jadi Gadhi Dia | Abhijeet Bhattacharya, Anuradha Poudwal | D♭ Minor | 5 | 12A | 88 BPM | ||
| Rakate Lekhichi Naa | Udit N., Anuradha P. | F Minor | 7 | 4A | 99 BPM | ||
| Bijli Bali Nua Item Again | UMAKANT BARIK, Rojalin Sahu | F♯ Major | 9 | 2B | 145 BPM | ||
| Hrudaya Tamara | Babul Supriyo, Nibedita | F♯ Minor | 9 | 11A | 180 BPM | ||
| Sara Rati Nida Bhuli | Kumar Bapi, Sailabhama | A♭ Major | 8 | 4B | 100 BPM | ||
| To Pakhare Jannat Moro - From "Biswanath" | Swayam Padhi, Rajnandini Panda, Abhijit Majumdar | B Minor | 8 | 10A | 84 BPM | ||
| Jibanata Jadi Hue | SANGRAM MOHANTY, R. S. Kumar, Sital Kabi | B Minor | 9 | 10A | 123 BPM | ||
| Mu Sapanara Soudagara | Bibhu Kishore | B Minor | 9 | 10A | 120 BPM | ||
| Pasake Chali Aa | Ankit Raaj, Antara Chakraborty | G Minor | 9 | 6A | 110 BPM | ||
| Gotie Muhurtha - Title Song | Vinod Rathod | A♭ Major | 9 | 4B | 116 BPM |