Milton Barnes, Joel Quarrington, Toronto Symphony Orchestra, Timothy Vernon's 'Papageno Variations: Theme. Variation I. Variation II. Variation III. Variation IV. Variation V. Variation VI. Theme' had a release date set for January 1, 2000. This song appears to be safe for all ages as it is not explicit. The song is number 6 out of 15 in Baker / Barnes / Eccles: Works for Double Bass by Joel Quarrington. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Papageno Variations: Theme. Variation I. Variation II. Variation III. Variation IV. Variation V. Variation VI. Theme is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Papageno Variations: Theme. Variation I. Variation II. Variation III. Variation IV. Variation V. Variation VI. Theme by Milton Barnes, Joel Quarrington, Toronto Symphony Orchestra, Timothy Vernon is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Variations for Solo Harp: Theme - Variations I-V - Epilogue | Milton Barnes, Erica Goodman | E♭ Major | 0 | 5B | 69 BPM | ||
| L'Abbandono | Giovanni Allevi | F Major | 5 | 7B | 67 BPM | ||
| Jewish Life: No. 1 Prayer | Ernest Bloch, Jan Vogler, Helmut Branny | F Minor | 1 | 4A | 166 BPM | ||
| Lachrimae, or Seaven Teares: No. 1, Lachrimae Antiquae | John Dowland, Christian-Pierre La Marca | A♭ Minor | 1 | 1A | 100 BPM | ||
| Lamentate: Pregando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D♭ Minor | 0 | 12A | 68 BPM | ||
| To Lizbie Brown, Op.15, No.7 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 73 BPM | ||
| Clarinet Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio (Arr. L. Berio for Clarinet & Orchestra) | Thomas Selle, Veronika Winter, Stephanie Petitlaurent, Simone Eckert, Ulrich Wedemeier, Michael Fuerst | A♭ Major | 0 | 4B | 111 BPM | ||
| Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | C Major | 0 | 8B | 138 BPM | ||
| Jesu dulcis memoria (Arr. Leopold Stokowski) | Tomás Luis de Victoria, Matthias Bamert, BBC Philharmonic | A Minor | 0 | 8A | 81 BPM | ||
| I | Sammy Weissberg, Samuel Weissberg | C Major | 0 | 8B | 138 BPM | ||
| Lohdutus, Op. 32: Nro. 1, Consolation | Taneli Kuusisto, SRK Musiikki | A Minor | 0 | 8A | 82 BPM | ||
| Astral Dance | Kira Nebula | A♭ Minor | 8 | 1A | 104 BPM | ||
| Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Boris Brovtsyn, Clara Jumi Kang, Eldar Nebolsin, Spectrum Concerts Berlin, Torleif Thedéen | C Minor | 0 | 5A | 111 BPM | ||
| Impromptu-caprice in A-Flat Major, Op. 9. Allegretto moderato | Gabriel Pierné, Lavinia Meijer | A♭ Major | 1 | 4B | 75 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | C Major | 0 | 8B | 138 BPM | ||
| Nocturne, Op. 19. adapted from the Six Piano Pieces | Pyotr Ilyich Tchaikovsky, Ensemble Instrumental Musica Viva, Nicolai Alexeiev, Alexander Rudin | G Major | 1 | 9B | 94 BPM | ||
| Liederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Major | 3 | 5B | 140 BPM | ||
| Phalanx Suite: Prolog | R.Kuhn, Rüdiger Edgar Kuhn | F Major | 2 | 7B | 96 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| 3 Compositions for Violin and Piano, Op. 40: No. 2, Berceuse, Op. 40: No. 2, Berceuse | Amy Beach, Alessandro Clerici, Elena Brunello | D Major | 0 | 10B | 73 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | C Major | 0 | 8B | 138 BPM | ||
| Lieder ohne Worte VI, Op. 67: V. Moderato, MWV U184 "The Shepherd's Complaint" (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | B Minor | 1 | 10A | 128 BPM | ||
| Dreamtopic | Lautenor | C Major | 0 | 8B | 138 BPM |