Papageno Variations: Theme. Variation I. Variation II. Variation III. Variation IV. Variation V. Variation VI. Theme
Milton Barnes, Joel Quarrington, Toronto Symphony Orchestra, Timothy Vernon
Baker / Barnes / Eccles: Works for Double Bass
10:22 January 1, 2000
BPM
81
Key
G Major
Camelot
9B

Embed

Share Link

Papageno Variations: Theme. Variation I. Variation II. Variation III. Variation IV. Variation V. Variation VI. Theme by Milton Barnes, Joel Quarrington, Toronto Symphony Orchestra, Timothy Vernon Song Details

Milton Barnes, Joel Quarrington, Toronto Symphony Orchestra, Timothy Vernon's 'Papageno Variations: Theme. Variation I. Variation II. Variation III. Variation IV. Variation V. Variation VI. Theme' had a release date set for January 1, 2000. This song appears to be safe for all ages as it is not explicit. The song is number 6 out of 15 in Baker / Barnes / Eccles: Works for Double Bass by Joel Quarrington. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Papageno Variations: Theme. Variation I. Variation II. Variation III. Variation IV. Variation V. Variation VI. Theme is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Papageno Variations: Theme. Variation I. Variation II. Variation III. Variation IV. Variation V. Variation VI. Theme by Milton Barnes, Joel Quarrington, Toronto Symphony Orchestra, Timothy Vernon is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-28.488 dB
Acousticness
97%
Danceability
21%
Energy
5%
Instrumentalness
80%
Liveness
24%
Loudness
53%
Speechiness
5%
Valence
21%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Variations for Solo Harp: Theme - Variations I-V - Epilogue by Milton Barnes, Erica GoodmanVariations for Solo Harp: Theme - Variations I-V - EpilogueMilton Barnes, Erica GoodmanE♭ Major05B69 BPM
L'Abbandono by Giovanni AlleviL'AbbandonoGiovanni AlleviF Major57B67 BPM
Jewish Life: No. 1 Prayer by Ernest Bloch, Jan Vogler, Helmut BrannyJewish Life: No. 1 PrayerErnest Bloch, Jan Vogler, Helmut BrannyF Minor14A166 BPM
Lachrimae, or Seaven Teares: No. 1, Lachrimae Antiquae by John Dowland, Christian-Pierre La MarcaLachrimae, or Seaven Teares: No. 1, Lachrimae AntiquaeJohn Dowland, Christian-Pierre La MarcaA♭ Minor11A100 BPM
Lamentate: Pregando by Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester StuttgartLamentate: PregandoArvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester StuttgartD♭ Minor012A68 BPM
To Lizbie Brown, Op.15, No.7 - Instrumental by Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas CollonTo Lizbie Brown, Op.15, No.7 - InstrumentalGerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas CollonC Minor15A73 BPM
Clarinet Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio (Arr. L. Berio for Clarinet & Orchestra) by Thomas Selle, Veronika Winter, Stephanie Petitlaurent, Simone Eckert, Ulrich Wedemeier, Michael FuerstClarinet Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio (Arr. L. Berio for Clarinet & Orchestra)Thomas Selle, Veronika Winter, Stephanie Petitlaurent, Simone Eckert, Ulrich Wedemeier, Michael FuerstA♭ Major04B111 BPM
Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) by François Couperin, Sonia Wieder-Atherton, Marius AthertonTroisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton)François Couperin, Sonia Wieder-Atherton, Marius AthertonC Major08B138 BPM
Jesu dulcis memoria (Arr. Leopold Stokowski) by Tomás Luis de Victoria, Matthias Bamert, BBC PhilharmonicJesu dulcis memoria (Arr. Leopold Stokowski)Tomás Luis de Victoria, Matthias Bamert, BBC PhilharmonicA Minor08A81 BPM
I by Sammy Weissberg, Samuel WeissbergISammy Weissberg, Samuel WeissbergC Major08B138 BPM
Lohdutus, Op. 32: Nro. 1, Consolation by Taneli Kuusisto, SRK MusiikkiLohdutus, Op. 32: Nro. 1, ConsolationTaneli Kuusisto, SRK MusiikkiA Minor08A82 BPM
Astral Dance by Kira NebulaAstral DanceKira NebulaA♭ Minor81A104 BPM
Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam by Erich Wolfgang Korngold, Boris Brovtsyn, Clara Jumi Kang, Eldar Nebolsin, Spectrum Concerts Berlin, Torleif ThedéenSuite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsamErich Wolfgang Korngold, Boris Brovtsyn, Clara Jumi Kang, Eldar Nebolsin, Spectrum Concerts Berlin, Torleif ThedéenC Minor05A111 BPM
Impromptu-caprice in A-Flat Major, Op. 9. Allegretto moderato by Gabriel Pierné, Lavinia MeijerImpromptu-caprice in A-Flat Major, Op. 9. Allegretto moderatoGabriel Pierné, Lavinia MeijerA♭ Major14B75 BPM
Dances: No. 2, Passacaglia by Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo JärviDances: No. 2, PassacagliaTõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo JärviC Major08B138 BPM
Nocturne, Op. 19. adapted from the Six Piano Pieces by Pyotr Ilyich Tchaikovsky, Ensemble Instrumental Musica Viva, Nicolai Alexeiev, Alexander RudinNocturne, Op. 19. adapted from the Six Piano PiecesPyotr Ilyich Tchaikovsky, Ensemble Instrumental Musica Viva, Nicolai Alexeiev, Alexander RudinG Major19B94 BPM
Liederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra) by Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory AhssLiederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra)Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory AhssE♭ Major35B140 BPM
Phalanx Suite: Prolog by R.Kuhn, Rüdiger Edgar KuhnPhalanx Suite: PrologR.Kuhn, Rüdiger Edgar KuhnF Major27B96 BPM
Irish Isles Suite: I. Achill Island by Ailbhe McDonagh, RTE Concert Orchestra, David BrophyIrish Isles Suite: I. Achill IslandAilbhe McDonagh, RTE Concert Orchestra, David BrophyA Minor18A72 BPM
Suite for Harp, Op. 83: IV. Fugue. Lively by Benjamin Britten, Magdalena HoffmannSuite for Harp, Op. 83: IV. Fugue. LivelyBenjamin Britten, Magdalena HoffmannB♭ Major16B96 BPM
Moments of Poetry and Music: No. 2, Melody, Post scriptum by Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-GeeMoments of Poetry and Music: No. 2, Melody, Post scriptumValentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-GeeA Minor08A65 BPM
3 Compositions for Violin and Piano, Op. 40: No. 2, Berceuse, Op. 40: No. 2, Berceuse by Amy Beach, Alessandro Clerici, Elena Brunello3 Compositions for Violin and Piano, Op. 40: No. 2, Berceuse, Op. 40: No. 2, BerceuseAmy Beach, Alessandro Clerici, Elena BrunelloD Major010B73 BPM
Cadenza für Violine und Klavier by Sophia Jani, Clarissa Bevilacqua, Martina ConsonniCadenza für Violine und KlavierSophia Jani, Clarissa Bevilacqua, Martina ConsonniC Major08B138 BPM
Lieder ohne Worte VI, Op. 67: V. Moderato, MWV U184 Lieder ohne Worte VI, Op. 67: V. Moderato, MWV U184 "The Shepherd's Complaint" (Arr. Ottensamer for Clarinet & Strings)Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars UpatnieksB Minor110A128 BPM
Dreamtopic by LautenorDreamtopicLautenorC Major08B138 BPM
ISRC
CACA30410805
Label
L-M Records/RCA Records