On August 11, 2006, the song "Kiss Miss Toaa Toi Kare Da" was released by Radhe Shyam Rasiya. This song is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The track order of this song in Radhe Shyam Rasiya, Khushboo Jain, Rekha Rao's "Maare De...Buniyan Jhaare De" album is number 10 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Kiss Miss Toaa Toi Kare Da's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kiss Miss Toaa Toi Kare Da by Radhe Shyam Rasiya to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chhapi Da Ye Nando Kamar Par Haradiya | Karina Pandey, Sovita Pandey | D♭ Major | 8 | 3B | 150 BPM | ||
| Piya Bhaile Gulari Ke Phool | Babita Kinnar, Golu Raja | A Minor | 8 | 8A | 80 BPM | ||
| Tu Hi Bata De Re Malan | Pawan Singh | F Major | 9 | 7B | 88 BPM | ||
| Maar Deb Goli Kehu Na Boli | Radhe Shyam Rasiya, Indu Sonali | B♭ Minor | 8 | 3A | 159 BPM | ||
| Kurti Jalidar Tohar Hit Maarechho | Madhav Rai | B Minor | 10 | 10A | 150 BPM | ||
| Tohke Darling Jadi Kahab | Ritesh Pandey, Alka Jha | A Minor | 10 | 8A | 75 BPM | ||
| Ahiranva Ke Baignva Se Sevanma Karenge | Roshan Rohi | F Minor | 10 | 4A | 89 BPM | ||
| Chudiya Baba Nagariya Se | Karina Pandey | F Major | 10 | 7B | 136 BPM | ||
| Maiya Jaisan Sikhale Ge | Rajnish Babu | B Minor | 10 | 10A | 89 BPM | ||
| Sunla Sunayie Nirodh Ke Mahima | Mohan Rathod, Indu Sonali | A♭ Minor | 10 | 1A | 148 BPM | ||
| Maa Karnal Dodi Ave Ji | Ramavtar Marwadi, Kavi Pranjal | F♯ Major | 9 | 2B | 100 BPM | ||
| Sona As Mehariya | Ankush Raja | C Minor | 10 | 5A | 75 BPM | ||
| Simru Bhuriya Baba Ne | Mahaveer Sankhla | D♭ Major | 8 | 3B | 150 BPM | ||
| Maai Doli Chadi Chalali | Pawan Singh | A Minor | 9 | 8A | 104 BPM | ||
| Bin Bulaye Chali Aihe | Akshara Singh | D Major | 5 | 10B | 157 BPM | ||
| Holiya Mein Range Sabke Musri | Guddu Rangila | G Minor | 10 | 6A | 150 BPM | ||
| Jaan Lei Gailu Ho | Manish Samrat | F♯ Minor | 8 | 11A | 77 BPM | ||
| Ram Naam Ladudo Gopal | Moinuddin Manchala | E♭ Minor | 9 | 2A | 95 BPM | ||
| Rakh Tikora Bachake | Khesari Lal Yadav | B♭ Major | 7 | 6B | 120 BPM | ||
| Tilak Leke Manga | Munna Raja, Sunita | G Major | 8 | 9B | 87 BPM | ||
| शब्द सावरणी म्हारा सदगुरु दिनी | Mahendra Singh Rathore | D♭ Major | 9 | 3B | 84 BPM | ||
| Tanot Ri Nagari Su Maiya Aavia | Anita Jangid | F Minor | 8 | 4A | 87 BPM | ||
| Bhobhnaai Baba Aaele | Radhe Shyam Rasiya, Nisha | D♭ Major | 9 | 3B | 84 BPM | ||
| Jawaniya Hilor Marata | Pankaj Matalbi Yadav | B♭ Major | 6 | 6B | 150 BPM | ||
| GUNTI KHOLE NE BARE KAD BINJARA | Anita Jangid | A♭ Major | 9 | 4B | 93 BPM |