On March 1, 2014, the song "Lagve Na Mayke Mai Naina" was released by Ramkripal Rai, Parvati Rajput. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Lagve Na Mayke Mai Naina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 6 in the song's album "Tene Aisi Maari Maar". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Lagve Na Mayke Mai Naina's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Lagve Na Mayke Mai Naina by Ramkripal Rai, Parvati Rajput having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ka Ho Gao Tum Kha Bhola Viraje Rat Kha Ke Bhang Gola Bundeli Shiv Bhajan | Ramkripal Rai | D♭ Major | 6 | 3B | 108 BPM | ||
| Gayal Kiya Shyam Ne | MurariLal Soni Anchaliya, Khatu Shyam | E Minor | 9 | 9A | 140 BPM | ||
| Tara Tara Bole | Parikshit Bala | F Minor | 4 | 4A | 86 BPM | ||
| Paunahari Teri Sada Hi Jai Jaikar | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | A♭ Major | 7 | 4B | 115 BPM | ||
| Dono Jaha Main Teri | Mehdi Hassan | A Major | 7 | 11B | 126 BPM | ||
| Par Nari Vish Ki Katar | Brijesh Shastri | F Major | 7 | 7B | 96 BPM | ||
| Tapkara | Narendra Singh Negi, Anuradha Nirala | F♯ Minor | 3 | 11A | 134 BPM | ||
| Aakalpa aayushya hvave taya kula (Abhang) | Nagesh Adgaonkar | E Major | 8 | 12B | 117 BPM | ||
| Aava Ae Bhouji Kaahe Lajalu | Bharat Sharma Vyas | B♭ Major | 8 | 6B | 179 BPM | ||
| Sansaar Ke Logon Se | Rajeev Singh | C Minor | 6 | 5A | 88 BPM | ||
| Ghuncha e Shouq | Mehdi Hassan | B♭ Major | 6 | 6B | 86 BPM | ||
| Bolava Vitthal | Bandubua Golegavkar | E♭ Minor | 7 | 2A | 107 BPM | ||
| Ram Ji Ro Naam Mitho Ghano Laage Bhajan Marwadi | Champa Lal Karir | F Minor | 7 | 4A | 104 BPM | ||
| Singhni Ma Ne Sher Jana (Feat.Avinash Selothi) | Avinash Selothi | G Major | 7 | 9B | 129 BPM | ||
| Keniya Se Aaveli Kaari Re Badariya | Madan Rai | G Major | 5 | 9B | 119 BPM | ||
| Hon Laga Mahghor Sangram | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Major | 7 | 11B | 160 BPM | ||
| Preet Laga Ke Daga Ne Kariyo | Raju Patel, Dhaniram Sen | G Major | 5 | 9B | 129 BPM | ||
| Kya Batau Jamane Ki Halat | Brijesh Shastri | D♭ Major | 5 | 3B | 103 BPM | ||
| Ek Baba Akaal Roop - Gurbani Kirtan | Bhai Harjinder Singh | A♭ Major | 9 | 4B | 144 BPM | ||
| Bhar Joban Main Nyav Doobagi | Seema Mishra | C Major | 8 | 8B | 143 BPM | ||
| Bichar Ke Bhi Mujhe | Ghulam Ali | D♭ Major | 4 | 3B | 108 BPM | ||
| Sakhi Ho Saiya Ke Nagariya Ek Din Jaaye Ke Pari - Nirgun Bhajan | Kalpana Patowary | D♭ Major | 6 | 3B | 109 BPM | ||
| Aikuni Venucha Naad | Godavaribai Munde, Rameshbuva Shegaonkar | A Major | 5 | 11B | 84 BPM | ||
| Pyar Main Radha Ji Bahut Royi | Poonam Shastri Ji | F♯ Major | 9 | 2B | 106 BPM | ||
| Goriya Kavan Gunva Paake Itrail | Bharat Sharma Vyas | G Major | 5 | 9B | 169 BPM |