Felix Mendelssohn, Emerson String Quartet's ' "String Quartet in E Flat Major, MWV R18: IV. Fuga" was released on its scheduled release date, January 1, 2005. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Emerson String Quartet's "Mendelssohn: The String Quartets & Octet In Two Parts" album is number 32 out of 38. On top of that, Germany appears to be the country where this track was created. String Quartet in E Flat Major, MWV R18: IV. Fuga is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of String Quartet in E Flat Major, MWV R18: IV. Fuga by Felix Mendelssohn, Emerson String Quartet to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
| Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
| 6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
| Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Daniel Barenboim | D♭ Major | 0 | 3B | 66 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | D♭ Major | 0 | 3B | 79 BPM | ||
| Pelléas et Mélisande, Op. 80, Suite: III. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
| Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
| Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
| Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Concertgebouw Orchestra, Charles Münch | D Major | 2 | 10B | 81 BPM | ||
| 24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 70 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Nocturne in D minor op.19, no.4 - arr. Tchaikovsky for cello and piano | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Pavel Gililov | D Minor | 1 | 7A | 88 BPM | ||
| Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Forgotten Melodies I, Op. 38: No. 6; Canzona Serenata | Nikolai Medtner, Dmitry Shishkin | B Major | 0 | 1B | 69 BPM | ||
| Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
| Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Jazz Suite No. 2: II. Lyric Waltz | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
| La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM |