On January 30, 2001, the song "Etal Pital" was released by Tripti Shakya, Kumar Vishu, Shalini Shrivastav. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The track order of this song in Tripti Shakya, Shalini Shrivastav's "Ghoomar" album is number 5 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Etal Pital is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Etal Pital by Tripti Shakya, Kumar Vishu, Shalini Shrivastav to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahakal Damru Wala | Sunny Albela | E Major | 6 | 12B | 90 BPM | ||
| Kon Kahta Ki Bhagwan Aate Nhi | Anju Sharma | E Major | 6 | 12B | 90 BPM | ||
| Shyam Baba O Shyam Baba | Sanju Sharma | E♭ Minor | 9 | 2A | 126 BPM | ||
| Shyama Aan Baso Vrindavan Mein | Sayantani Ghosh | C Minor | 5 | 5A | 172 BPM | ||
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM | ||
| Sari Duniya Hai Diwani | Sadhvi Purnima Ji | C Minor | 8 | 5A | 100 BPM | ||
| Mujhe Apne Hi Rang Mein | Sadhvi Purnima | A♭ Major | 7 | 4B | 100 BPM | ||
| Ae Tengda Ke Deedie | Sunil Chhaila Bihari, Tripti Shakya | G Minor | 7 | 6A | 144 BPM | ||
| Jinki Pratima Itni Sunder Wo Kitna Sunder Honga | Pamela Jain | F♯ Minor | 5 | 11A | 104 BPM | ||
| Kajrare Mote Mote Tere Nain Haaye Najar Na Lg Jaye | Bhagat Romi | B♭ Major | 9 | 6B | 87 BPM | ||
| Mai Hu Teri Radha Pyari | Rajesh Pardeshi, Tripti Shakya | D♭ Minor | 10 | 12A | 147 BPM | ||
| Teri Meri Katti Ho Jayegi | Keshav Sharma, Tara Devi | B♭ Minor | 10 | 3A | 148 BPM | ||
| Parvati Chalisa | Tripti Shakya | E Major | 8 | 12B | 89 BPM | ||
| Dena Hai To Dijiye Janam Janam Ka Sath | Naresh Raina | G Major | 8 | 9B | 140 BPM | ||
| Hanuman Ji Ki Aarti | Tripti Shakya | F♯ Major | 8 | 2B | 96 BPM | ||
| Hamaro Dhan Radha Shree Radha | Tanishq Kothari | E Major | 3 | 12B | 104 BPM | ||
| Bhala Kisi Ka Kar Na Sako Toh | Manoj Mishra | E Major | 9 | 12B | 87 BPM | ||
| Tune Naam Japan Kyu Chorr Diya | Madhavas Rock Band | E♭ Major | 4 | 5B | 189 BPM | ||
| Jab Se Naina Ladal | Sadhvi Purnima Ji | D♭ Major | 8 | 3B | 90 BPM | ||
| radhe radhe japo chale ayenge bihari | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 8 | 1A | 120 BPM | ||
| Aarti Kunj Bihari Ki | Sonika Sharma Agarwal | B Major | 6 | 1B | 128 BPM | ||
| Bans Ki Bansuriya Pe | Dolly Sharma | F♯ Major | 7 | 2B | 97 BPM | ||
| Suno Na | Javed Ali, Tripti Shakya | C Minor | 5 | 5A | 125 BPM | ||
| Shri Radha Kripa Katash Stotram | Gayatri Dhareshwar | D♭ Major | 6 | 3B | 135 BPM | ||
| Dinanath Meri Baat Chani Koni Tere Sath | Sanju Sharma | A Major | 8 | 11B | 78 BPM |