"shadow" by Eiko Ishibashi had its release date on January 5, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 8 in carapace by Eiko Ishibashi. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. shadow is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of shadow by Eiko Ishibashi is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 나도 너도 우리 모두.. | Michael Scott Dawson, Dasom Baek | C Major | 2 | 8B | 80 BPM | ||
| Fake Tears (From "The Curse" Soundtrack) | John Medeski | F Major | 2 | 7B | 112 BPM | ||
| Sunrise | Takuro Okada | B♭ Minor | 2 | 3A | 74 BPM | ||
| New Sun | Dialect | G Major | 2 | 9B | 114 BPM | ||
| wishbone split clean and perfect | Cole Pulice, Nat Harvie | F♯ Major | 1 | 2B | 109 BPM | ||
| WORLD (Variation 3) | Lia Ouyang Rusli | E Major | 2 | 12B | 176 BPM | ||
| Water Copy | Hiroshi Yoshimura | B♭ Minor | 8 | 3A | 97 BPM | ||
| It’s Often a Mystery to Me | Josiah Steinbrick | B♭ Major | 0 | 6B | 86 BPM | ||
| サルビア 家族 | cero | A Major | 0 | 11B | 167 BPM | ||
| In Plain Sight | Celia Hollander | D♭ Major | 1 | 3B | 75 BPM | ||
| Drive My Car (Hiroshima) | Eiko Ishibashi | G Major | 9 | 9B | 130 BPM | ||
| Little Window | U.e., Ulla | E Major | 0 | 12B | 125 BPM | ||
| Why Are You Going to New York | Christopher Bear, Daniel Rossen | F♯ Major | 3 | 2B | 115 BPM | ||
| Isn't It True | Brendan Eder Ensemble, Henry Solomon | F♯ Major | 3 | 2B | 136 BPM | ||
| A Love Supreme | Okada Takuro | F♯ Major | 3 | 2B | 82 BPM | ||
| evening of the light | Eiko Ishibashi | D♭ Major | 4 | 3B | 172 BPM | ||
| Abandon | Laurel Halo, Bendik Giske, Lucy Railton, James Underwood | D♭ Major | 6 | 3B | 81 BPM | ||
| find yourself in a hole on the beach | claire rousay, Gretchen Korsmo | D Major | 5 | 10B | 177 BPM | ||
| Slide | ML Buch | E♭ Major | 1 | 5B | 77 BPM | ||
| Rain | Sam Wilkes, Craig Weinrib, Dylan Day | A Major | 1 | 11B | 96 BPM | ||
| Descending (WWW) | Sam Wilkes, Dylan Day, Chris Fishman, Thom Gill, Craig Weinrib | B♭ Major | 1 | 6B | 148 BPM | ||
| Part III | Marty Holoubek, Eiko Ishibashi, Tatsuhisa Yamamoto | E Minor | 3 | 9A | 80 BPM | ||
| Crossing | Christopher Bear, Daniel Rossen | D♭ Major | 2 | 3B | 88 BPM | ||
| Peers | Hi'Spec | F♯ Minor | 0 | 11A | 119 BPM | ||
| maken melodie | Sam Gendel, Nate Mercereau | C Major | 4 | 8B | 89 BPM |