Asha Bhosle, Mohammed Rafi, R. D. Burman's ' "Yeh Duniya Khel Tamasha" was released on its scheduled release date, January 1, 1971. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in R. D. Burman's "Lakhon Me Ek" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Yeh Duniya Khel Tamasha's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Yeh Duniya Khel Tamasha by Asha Bhosle, Mohammed Rafi, R. D. Burman to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Hatheele Shyam - Bhajan | Pankaj Mullick | G Major | 3 | 9B | 117 BPM | ||
| Soja Soja Chandni | M.G.Shreekumar | C Major | 5 | 8B | 108 BPM | ||
| Ho Ji Ho Goriye-Balliye | Lata Mangeshkar, Mohammed Rafi | A♭ Major | 3 | 4B | 76 BPM | ||
| Raj Kapoor Speaks And Awara Hoon Film - Awaara | Mukesh, Raj Kapoor | F♯ Minor | 5 | 11A | 176 BPM | ||
| Chal Diye Bande Nawaz | Geeta Dutt, Mohammed Rafi | G Major | 4 | 9B | 80 BPM | ||
| Is Bhari Duniya Mein - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | G Minor | 4 | 6A | 146 BPM | ||
| Piu Piu Bol | Pradeep | D Major | 6 | 10B | 140 BPM | ||
| Malik Jage Banda Sove | Hari Om Sharan | D♭ Major | 6 | 3B | 79 BPM | ||
| Krishna Karenge Beda Par | Ravindra Jain, Vinod Rathod | F Minor | 7 | 4A | 105 BPM | ||
| Aajkal Tere Mere Pyar Ke Charche | Suman Kalyanpur, Mohammed Rafi | A Major | 8 | 11B | 99 BPM | ||
| Girti Jati Hai Din Pratidin | Manna Dey | D♭ Minor | 1 | 12A | 68 BPM | ||
| Achra Mein Phoolva | Ravindra Jain | B♭ Major | 6 | 6B | 144 BPM | ||
| Noora De De | Laxmikant–Pyarelal, Kishore Kumar, Asha Bhosle | A♭ Major | 6 | 4B | 82 BPM | ||
| Teri Meri Yaari Badi Purani (From “Charitraheen”) - Dialogues | Sharmila Tagore, Sanjeev Kumar, Asha Bhosle | D♭ Minor | 6 | 12A | 76 BPM | ||
| Dekho Jani Dushman Apas Men Yaar | Suresh Wadkar, Jaspal Singh | F Major | 5 | 7B | 168 BPM | ||
| Zindagi Ae Zindagi | S. D. Burman | G Minor | 2 | 6A | 93 BPM | ||
| Suno Na Bhabhi | Sulakshana Pandit, Jagjit Kaur | C Major | 7 | 8B | 171 BPM | ||
| Kitne Pyare Din Aa Gaye | Suman Kalyanpur | C Major | 6 | 8B | 96 BPM | ||
| Ram Kahe Pehle Shiv Bolo | Ravindra Jain | F Major | 4 | 7B | 88 BPM | ||
| O Rasiya More Piya | Asha Bhosle, Majrooh Sultanpuri | D Minor | 3 | 7A | 139 BPM | ||
| Ae Dil Dekhe Hai Humne | Mukesh | F♯ Minor | 7 | 11A | 89 BPM | ||
| Ganga Tere Ghat Pe | Mahendra Kapoor, Alka Yagnik | A♭ Major | 5 | 4B | 144 BPM | ||
| Jab Jab Apna Mel Hua | Sulakshana Pandit, Mohammed Rafi | D Major | 5 | 10B | 82 BPM | ||
| Jhoom Rahi Khushiyon Ki Nao Aaj | Suraiya, S. D. Burman | F♯ Minor | 1 | 11A | 126 BPM | ||
| Ham Ne Tum Ko Dekha | Shailendra Singh, R. D. Burman | C Minor | 5 | 5A | 99 BPM |