On October 10, 2014, the song "You Never Can Tell (from "Pulp Fiction")" was released by Seattle Sounds. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. You Never Can Tell (from "Pulp Fiction")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 30 in Cool Crime Movie Tracks by Seattle Sounds. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. The popularity of You Never Can Tell (from "Pulp Fiction") is currently average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of You Never Can Tell (from "Pulp Fiction") by Seattle Sounds is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mexico - Remastered Version | Les Humphries Singers | D Major | 9 | 10B | 180 BPM | ||
| No Particular Place To Go | Chuck Berry | G Major | 8 | 9B | 129 BPM | ||
| Lucky, Lucky, Lucky Me | Evelyn Knight | A Major | 5 | 11B | 121 BPM | ||
| One Scotch, One Bourbon, One Beer | Amos Milburn | F Major | 7 | 7B | 130 BPM | ||
| Rock And Roll Music - Demo | Chuck Berry | A♭ Major | 7 | 4B | 166 BPM | ||
| Gonna Make It Alone | The Bellfuries | F Major | 6 | 7B | 130 BPM | ||
| Later Alligator (See You Later, Alligator) | Bobby Charles | C Major | 5 | 8B | 156 BPM | ||
| Buona sera | Louis Prima, Louis Prima Sextet | E♭ Major | 5 | 5B | 180 BPM | ||
| Stay (I Missed You) [from "Reality Bites"] | Seattle Sounds | D♭ Major | 6 | 3B | 82 BPM | ||
| Come-On-A-My House | Della Reese | F Minor | 5 | 4A | 141 BPM | ||
| Going Up the Country | Kitty, Daisy & Lewis | B Major | 6 | 1B | 89 BPM | ||
| Silver Lining Playbook | The Gentleman Glitch | F Major | 7 | 7B | 130 BPM | ||
| Good Looking Woman | Kitty, Daisy & Lewis | F Minor | 8 | 4A | 130 BPM | ||
| Go, Go, Go (Down the Line) | Roy Orbison | B♭ Major | 8 | 6B | 165 BPM | ||
| Imagine (from "The Killing Fields") | Seattle Sounds | C Major | 4 | 8B | 75 BPM | ||
| The More I See You | Chris Montez | E♭ Major | 4 | 5B | 124 BPM | ||
| Nadine - Stereo Remix | Chuck Berry | B♭ Major | 5 | 6B | 141 BPM | ||
| King Of The Road | Roger Miller | B Major | 3 | 1B | 120 BPM | ||
| Upstairs Boogie | Lil Son Jackson | B♭ Minor | 4 | 3A | 130 BPM | ||
| Gimme Dat Ding - Rerecorded | The Pipkins | G Major | 6 | 9B | 198 BPM | ||
| Come on Baby Light My Fire | The Conchords | G Major | 8 | 9B | 131 BPM | ||
| Rock Around The Clock - Bill Haley | Compilation Les Années 50 : la légende américaine | A Major | 9 | 11B | 90 BPM | ||
| Mary Had A Little Lamb | Buddy Guy | A Major | 4 | 11B | 126 BPM | ||
| Honolulu Baby | The Beau Hunks | A Minor | 1 | 8A | 175 BPM | ||
| Puttin On The Ritz | Matthieu Boré, Francesco Petreni, Guy Bonne, Ferruccio Spinetti | F Minor | 5 | 4A | 101 BPM |