Amanda Rontgen-Maier, Cecilia Zilliacus, Bengt Forsberg's ' "St. Nicholas-Schwank (Excertps): Schwedisches intermezzo" was released on its scheduled release date, June 15, 2019. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 69 in Amanda Maier: Complete Works by Amanda Rontgen-Maier, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, St. Nicholas-Schwank (Excertps): Schwedisches intermezzo is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of St. Nicholas-Schwank (Excertps): Schwedisches intermezzo by Amanda Rontgen-Maier, Cecilia Zilliacus, Bengt Forsberg is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Erbarme dich, mein Gott Variation (After Matthäuspassion, BWV 244, No. 47: Erbarme dich, mein Gott) [Arr. for Violin, String Quintet & Piano by Tim Allhoff] | Johann Sebastian Bach, Tim Allhoff, Eldbjørg Hemsing, Norwegian String Quintet | G Major | 2 | 9B | 103 BPM | ||
| Nocturne | Lili Boulanger, Yo-Yo Ma, Kathryn Stott | B♭ Major | 1 | 6B | 68 BPM | ||
| Anemos | Olivia Belli, Chris Worsey | G Minor | 0 | 6A | 85 BPM | ||
| 6 Pieces, Op. 19: No. 4, Nocturne. Andante sentimentale (Transcr. Langley for Violin & Piano) | Pyotr Ilyich Tchaikovsky, Christian Li, Nicola Eimer | F♯ Minor | 0 | 11A | 126 BPM | ||
| Nocturnes, Op. 9, No. 2 in E-Flat Major | Frédéric Chopin, Martin Stadtfeld | E♭ Major | 1 | 5B | 75 BPM | ||
| 24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
| Minuet in G Major Variation (After Notebook for Anna Magdalena Bach, BWV Anh.116, No. 7: Menuet in G Major) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel] | Johann Sebastian Bach, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | G Major | 2 | 9B | 103 BPM | ||
| String Quartet in G Major, Hob.III:75, Op. 7 No. 1: III. Menuetto. Presto | Joseph Haydn, Tokyo String Quartet | G Major | 2 | 9B | 103 BPM | ||
| Variations on a Rococo Theme, Op. 33: Var. 5 - Allegro moderato - Cadenza | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | B♭ Minor | 4 | 3A | 93 BPM | ||
| Couperin, F: Second livre de pièces de clavecin, Sixième ordre: V. Les baricades mistérieuses | François Couperin, David Fray | B♭ Major | 0 | 6B | 75 BPM | ||
| Klavierstück | Amanda Rontgen-Maier, Bengt Forsberg | A Major | 1 | 11B | 88 BPM | ||
| 7 Canciones populares españolas: No. 5, Nana (Transcr. Llobet & Pujol for Violin & Guitar) | Manuel de Falla, Randall Goosby, Plínio Fernandes | A Minor | 1 | 8A | 82 BPM | ||
| Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | ||
| Rêverie, L.68 | Claude Debussy, Anna Miernik | G Major | 2 | 9B | 103 BPM | ||
| Variations & Fugue on a Theme by Handel, Op. 24: Var. 5. Espressivo | Johannes Brahms, Daniel Barenboim | G Major | 2 | 9B | 103 BPM | ||
| Variations for the Healing of Arinushka | Georgijs Osokins, Arvo Pärt | A Minor | 0 | 8A | 94 BPM | ||
| Liederbuch, Vol. 2 (Arr. for Double Bass and Piano by Lorraine Campet): No. 5, Wie glänzt so hell dein Auge | Josephine Lang, Lorraine Campet, Nathanaël Gouin | E Major | 0 | 12B | 69 BPM | ||
| Birthday Dedications, Op. 20: I. 27 January 1756...To the Birthday of W. A. M. | Valentin Silvestrov, Alexei Lubimov | A♭ Major | 0 | 4B | 67 BPM | ||
| 24 Preludes and Fugues, Op. 87: No. 2b, Fugue in A Minor | Dmitri Shostakovich, Yuja Wang | F Major | 0 | 7B | 173 BPM | ||
| Concerto in A Minor Variation (After Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel] | Johann Sebastian Bach, Jan-Peter Klöpfel, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | G Major | 2 | 9B | 103 BPM | ||
| Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Transcr. Strauss & Rizikov for Cello and Piano) | Sergei Rachmaninoff, Lisa Strauss, Anastasia Rizikov | E♭ Major | 1 | 5B | 108 BPM | ||
| Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | G Major | 2 | 9B | 103 BPM | ||
| Nocturne No. 2 in C Minor, H. 25 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | ||
| Sur le lac du Bourget | Gabriela Montero, Gautier Capuçon, Frank Braley | G Major | 2 | 9B | 178 BPM | ||
| To Gia Kancheli (P. S. ) | Josef Bardanashvili, Giorgi Gigashvili, Lisa Batiashvili | A Minor | 0 | 8A | 98 BPM |