"Seeing Red" by Danny Elfman had its release date on February 18, 2018. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Seeing Red's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 18 in Fifty Shades Freed (Original Motion Picture Score) by Danny Elfman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Seeing Red's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Seeing Red by Danny Elfman is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Only Believe | Max Richter | A♭ Major | 1 | 4B | 77 BPM | ||
| King's Cross | Amelia Warner | D Minor | 3 | 7A | 109 BPM | ||
| A Love Based on Friendship | Kris Bowers | A Minor | 2 | 8A | 84 BPM | ||
| Whales | Alan Williams | F Major | 1 | 7B | 143 BPM | ||
| We're Dark Fey | Geoff Zanelli | B Minor | 3 | 10A | 84 BPM | ||
| See You Again | Mychael Danna | E Major | 1 | 12B | 96 BPM | ||
| Harnessing Anger | Blake Neely | D Minor | 2 | 7A | 106 BPM | ||
| Data Stream | Max Richter | D♭ Major | 5 | 3B | 120 BPM | ||
| From The Air | Dario Marianelli, Víkingur Ólafsson | F Minor | 6 | 4A | 106 BPM | ||
| A New America | Jeff Beal | D Minor | 5 | 7A | 78 BPM | ||
| Braille | Jan A.P. Kaczmarek | E Minor | 0 | 9A | 136 BPM | ||
| The Wolf - From "Fifty Shades Freed (Original Motion Picture Soundtrack)" | The Spencer Lee Band | A Major | 9 | 11B | 101 BPM | ||
| Let's Bring Him Home | Pinar Toprak | B♭ Minor | 4 | 3A | 174 BPM | ||
| Paris | Craig Armstrong | B Major | 1 | 1B | 73 BPM | ||
| Everything Everything | Ludwig Göransson | C Major | 1 | 8B | 79 BPM | ||
| The Clave's Curse | Atli Örvarsson | D Major | 4 | 10B | 83 BPM | ||
| The Parking Lot | Score from the Motion Picture | C Major | 1 | 8B | 117 BPM | ||
| Plus que ma propre vie - From "Breaking Dawn Part 2" | Carter Burwell, Mercuzio Pianist | C Major | 0 | 8B | 76 BPM | ||
| Surprise Visitor | Mike Higham, Matthew Margeson | A♭ Major | 1 | 4B | 128 BPM | ||
| First Skype | Andrew Lockington | C Major | 2 | 8B | 129 BPM | ||
| Lou Phones For Help | Craig Armstrong | E Minor | 1 | 9A | 78 BPM | ||
| The Globe | Jan A.P. Kaczmarek | A Major | 0 | 11B | 93 BPM | ||
| Zilpha (Recollection) | Max Richter | C Minor | 0 | 5A | 132 BPM | ||
| Muse, I (Inspiration) | Nathan Lanier | F Major | 1 | 7B | 115 BPM | ||
| Love Visit #2 | Theodore Shapiro | F Major | 2 | 7B | 145 BPM |