On 1978, the song "School Days" was released by The Good Rats. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 12 in Birth Comes To Us All by The Good Rats. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, School Days's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of School Days by The Good Rats is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wayside | Artful Dodger | D Major | 8 | 10B | 130 BPM | ||
| Teenage Love Affair | Rick Derringer | D Major | 9 | 10B | 154 BPM | ||
| Evie | Pat Travers Band | F♯ Minor | 9 | 11A | 95 BPM | ||
| Wildwood Blues | Nazz | A Major | 7 | 11B | 98 BPM | ||
| We All Had a Real Good Time | The Edgar Winter Group | A Major | 7 | 11B | 97 BPM | ||
| Sweet Burgundy | Tommy Bolin | G Major | 5 | 9B | 100 BPM | ||
| Wake Up, Shake Up | Trapeze | D Major | 8 | 10B | 133 BPM | ||
| Finish Line | Frank Marino & Mahogany Rush | E Minor | 9 | 9A | 115 BPM | ||
| Unfinished Maps | Young Voltage | A Major | 4 | 11B | 82 BPM | ||
| Restrictions | Cactus, Gene Paul, Jackson Howe | F Major | 7 | 7B | 95 BPM | ||
| Looking In | Kim Simmonds, David Peverett, Savoy Brown | C Major | 5 | 8B | 100 BPM | ||
| Hold Your Fire | Patto | G Major | 9 | 9B | 89 BPM | ||
| City Liners (Demo) | The Good Rats | A♭ Major | 7 | 4B | 127 BPM | ||
| Free Man | Point Blank | A Major | 9 | 11B | 112 BPM | ||
| Higher Circles | Spooky Tooth | G Major | 7 | 9B | 150 BPM | ||
| This One's Mine | Anna Burke | E Major | 6 | 12B | 95 BPM | ||
| Light Up | Styx | D Major | 5 | 10B | 154 BPM | ||
| Dragonfly | Frank Marino & Mahogany Rush | A Major | 6 | 11B | 99 BPM | ||
| Cry Some More | The Outlaws | D Major | 8 | 10B | 173 BPM | ||
| Friday The 13th | Atomic Rooster | A♭ Major | 0 | 4B | 57 BPM | ||
| Together and Free | Climax Blues Band | F Minor | 9 | 4A | 155 BPM | ||
| Ain't Gonna Eat Out My Heart Anymore | Angel | B♭ Major | 8 | 6B | 120 BPM | ||
| Take It Home | Utopia | A Major | 9 | 11B | 136 BPM | ||
| Opportunity | Rossington Collins Band | A Minor | 8 | 8A | 137 BPM | ||
| Wild Country | Thunderclap Newman | A Major | 6 | 11B | 92 BPM |