"Then Why Can't We Dictate You?" by Nathan R. Bradford had its release date on February 16, 2025. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "Revolutionized". In this album, this song's track order is #23. Then Why Can't We Dictate You? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Then Why Can't We Dictate You? by Nathan R. Bradford having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Into the Book | Christian Henson | E♭ Major | 1 | 5B | 128 BPM | ||
| Humiliation/Quasi Returns to Notre Dame (The Hunchback of Notre Dame) | Nathan R. Bradford | A Major | 4 | 11B | 112 BPM | ||
| To Die for (The Lion King) | Nathan R. Bradford | A Major | 4 | 11B | 112 BPM | ||
| Abre Los Ojos | Germaine Franco | C Minor | 1 | 5A | 120 BPM | ||
| As Grains Sway, As Birds Return | Infinity Nikki, FoldEcho | D Major | 6 | 10B | 120 BPM | ||
| I Dreamed a Dream / Lovely Ladies / Who Am I? | Bournemouth Symphony Orchestra, Seann Alderking | B♭ Major | 1 | 6B | 143 BPM | ||
| Davy Jones Theme | Fabrizio Brugnera | D Minor | 1 | 7A | 93 BPM | ||
| Utopia | George Fenton | C Major | 0 | 8B | 86 BPM | ||
| Fireside Dance | Danny Elfman | D♭ Major | 2 | 3B | 140 BPM | ||
| The Kite - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 68 BPM | ||
| From Western Woods to Beaversdam | Harry Gregson-Williams | F Minor | 1 | 4A | 75 BPM | ||
| Ceremonial Promise | Echos in tempo | D Major | 1 | 10B | 75 BPM | ||
| Flowing Through Eternity | Infinity Nikki, FoldEcho, 陈达飞 | E♭ Minor | 5 | 2A | 140 BPM | ||
| Addiction | blue lemon | G Minor | 3 | 6A | 78 BPM | ||
| WHERE TRUE HAPPINESS LIES | Evan Call | A Minor | 2 | 8A | 73 BPM | ||
| Nube de Caramelo | Canto de Sueños Studio | D Major | 1 | 10B | 122 BPM | ||
| I Could Use a Boost (from "The Wild Robot") - Piano Version | DPSM | D Major | 3 | 10B | 113 BPM | ||
| Fairy Dusted Festival - From "The Pirate Fairy"/Score | Joel McNeely | E♭ Major | 4 | 5B | 119 BPM | ||
| Trust & Obey | jared adamson | F Major | 0 | 7B | 65 BPM | ||
| Here Beside Me - From "Mulan II"/Score | Joel McNeely | C Major | 2 | 8B | 84 BPM | ||
| Aspire | Orion King | B♭ Minor | 2 | 3A | 76 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| New Morning New Adventure | maats | E Major | 4 | 12B | 141 BPM | ||
| Orphaned | Patrick Doyle | A Minor | 0 | 8A | 82 BPM | ||
| The Village Of Dor | William Ross | G Major | 2 | 9B | 149 BPM |