Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra's ' "Etudes: VIII. Relevés" was released on its scheduled release date, February 1, 1996. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Riisager: Etudes". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Etudes: VIII. Relevés is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Etudes: VIII. Relevés by Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Luftig und duftig, OP. 206 | Eduard Strauss, Wiener Johann Strauss Orchester, Franz Bauer-Theussl | D Major | 4 | 10B | 78 BPM | ||
| Symphony No. 2 in C Minor, Op. 29: I. Andante | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
| Le Corsaire: Pas de Trois - Ali Variation | Yuly Gerber, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 1 | 4B | 85 BPM | ||
| Les Sylphides: 4. Mazurka | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 95 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 173 BPM | ||
| Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 2: No. 29, Pas de deux | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 88 BPM | ||
| La Bayadere, Act II: 25. "Gamzatti's Friends" | Evergreen Symphony Orchestra, Kevin Galiè | E Major | 0 | 12B | 72 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: Mrs Tiggy-Winkle's Laundry | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | F Major | 2 | 7B | 117 BPM | ||
| Indiana Jones and the Raiders of the Lost Ark: Marion's Theme | Danish National Symphony Orchestra, Christian Schumann | C Minor | 2 | 5A | 89 BPM | ||
| We Have All The Time In The World | Hal David, John Barry, Danish National Symphony Orchestra, DR Big Band, Tuva Semmingsen, Klaus Tönshoff | G Major | 2 | 9B | 89 BPM | ||
| Grande tarantelle, Op. 67, D. 66 | Louis Moreau Gottschalk, Joel Fan, Northwest Sinfonietta, Christophe Chagnard | D Minor | 1 | 7A | 146 BPM | ||
| Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
| Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | ||
| Alexandrinen-Polka, Op. 198: Alexandrinen, Polka francaise, Op. 198 | Johann Strauss II, Swedish Radio Symphony Orchestra, Okko Kamu | F Major | 0 | 7B | 79 BPM | ||
| Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16a, Pas de deux de Fanny Elssler. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 1 | 7B | 107 BPM | ||
| Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
| Merry Melodies: Main Titles (Live) | Carl Stalling, Franz von Suppé, Danish National Symphony Orchestra, The Danish Radio Big Band, Christian Schumann | F Major | 8 | 7B | 78 BPM | ||
| Act II, ii, 13 Grand pas Classique: Variation 4: Variation Zhenskaya from "Le Pavillon d'Armide" (Tcherepnin) | Nikolai Tcherepnin, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Symphony No. 2 in C Minor, Op. 29: IV. Tempestoso | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 170 BPM | ||
| Viennese Bon - Bons | Orchestra The Spv | F Major | 1 | 7B | 183 BPM |