"Boléro, M. 81 - Arr. for 1984 Olympic Performance" by Maurice Ravel, Michael Reed Orchestra had its release date on January 1, 1983. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 4 in the song's album "The Music of Torvill & Dean". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Boléro, M. 81 - Arr. for 1984 Olympic Performance's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Boléro, M. 81 - Arr. for 1984 Olympic Performance by Maurice Ravel, Michael Reed Orchestra having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Great Escape March | Geoff Love & His Orchestra | B♭ Major | 4 | 6B | 113 BPM | ||
| Nocturnes, Op. 9: No. 2 in E Flat Major. Andante | Frédéric Chopin, Jan Lisiecki | B♭ Major | 0 | 6B | 99 BPM | ||
| Snowdrop | Debbie Wiseman, National Symphony Orchestra | G Major | 1 | 9B | 69 BPM | ||
| Samson et Dalila, Op. 47: Danse bacchanale | Camille Saint-Saëns, Neeme Järvi, Royal Scottish National Orchestra | A Minor | 1 | 8A | 150 BPM | ||
| Day Trip To Bangor - Radio Edit | Fiddler's Dram | A Major | 4 | 11B | 135 BPM | ||
| Csardas (Arr. R. Pontinen and M. Frost) | Vittorio Monti, Martin Fröst, Roland Pöntinen | D Major | 2 | 10B | 98 BPM | ||
| Where Eagles Dare (Film Theme) - 2003 Remaster | Ron Goodwin | F Major | 5 | 7B | 117 BPM | ||
| Now Those Days Are Gone | Bucks Fizz | F Major | 1 | 7B | 99 BPM | ||
| Outdoor Pursuits | Patrick Thomas Hawes | E♭ Major | 3 | 5B | 111 BPM | ||
| Aria | Acker Bilk | B♭ Major | 3 | 6B | 84 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 1 | 7B | 77 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | G Major | 0 | 9B | 60 BPM | ||
| Vaughan Williams: Symphony No. 6 in E Minor: I. Allegro (Excerpt) | Ralph Vaughan Williams, New Philharmonia Orchestra, Sir Adrian Boult | A Major | 2 | 11B | 140 BPM | ||
| Was mir behagt, ist nur die muntre Jagd!, BWV 208: No. 9, Schafe können sicher weiden (Transcr. L. Stokowski) | Johann Sebastian Bach, Bournemouth Symphony Orchestra, José Serebrier | B♭ Major | 0 | 6B | 95 BPM | ||
| Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 2 | 9B | 98 BPM | ||
| Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 125 BPM | ||
| Bailero (Chants d'Auvergne, 1st series, no.2) | Joseph Canteloube, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 81 BPM | ||
| Swan Lake, Op. 20 (Mariinsky Version), Act I: No. 9, Finale. Andante | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | D Major | 3 | 10B | 86 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Wiener Philharmoniker, Tugan Sokhiev | C Major | 1 | 8B | 89 BPM | ||
| 49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | ||
| Those Magnificent Men in Their Flying Machines | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | B♭ Major | 2 | 6B | 74 BPM | ||
| The Isle of Inisfree (Reprise) | Victor Young | G Major | 1 | 9B | 134 BPM | ||
| Caccini's Hymn | Jan Mulder & London Symphony Orchestra | E♭ Major | 1 | 5B | 107 BPM | ||
| The Logue Method (Mozart: The Marriage of Figaro / Clarinet Concerto mvt 1) | Wolfgang Amadeus Mozart, Terry Davies, Members Of The London Symphony Orchestra | A Major | 1 | 11B | 122 BPM |